On a scorching hot day, we travel to the Zola area of Soweto, a township south of Johannesburg in South Africa.
Despite the soaring mercury, the trip is worth it.
Zola was known to be home to some of South Africa’s greatest musicians including Brenda Fassie, Mandoza and M’du, as well as soccer players John ‘Shoes’ Lesiba Moshoeu of Orlando Pirates and Mongezi Joel ‘Ace’ Mnini of Moroka Swallows.
Now, it’s also home to a promising fashion designer.
The small town, with a rough population of 44,000, is where self-taught South African designer Zamaswazi Nkosi crafts his creations for the city’s catwalks.
Nkosi greets us by the corrugated gates of the entrance to his compound dressed in a blue golf shirt featuring an African print pattern – the same shirt he showcased at the South African Fashion Week (SAFW) Spring/Summer 2017. His pants complement the look, along with blue loafers and a white fedora.
Ushering us in, he politely offers to carry some of our equipment. The genial, soft-spoken Nkosi then shows us around.
His workspace, which was once a garage, is attached to his bedroom. Clothes hang on a rack next to the door. Two sewing machines sit at the corner of the room with fabric, needles and thread neatly stacked beside them. Next to them is a table where he irons his garments. You can tell he is a one-man army.
The wall on the opposite side of the room is filled with a collage of photographs, newspaper clippings and awards. A headline from The Citizen reads: “A daring designer”.
“My love for fashion started the day I had no clothes to wear,” Nkosi opens.
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Growing up with a single mother and as one of six siblings, he was forced to improve his circumstances at home. He developed the art of restoration.
“It started with reviving the old to new. Sometimes I would take my sisters’ clothes and redo them so that I could have something to wear,” he says.
Little did he know at the time his innovations would one day be part of the fabric of high fashion in South Africa.
Nkosi began by sewing clothes using his mother’s old sewing machine. From there, he would piece together fabric lying around the house.
“I took my mother’s tablecloth, I stole it actually,” he admits.
Nkosi then crafted the tablecloth with a shirt of his to create an entirely new piece. He enjoyed reinventing things and it’s evident in the clothes he designs and puts together today.
However, Nkosi wasn’t always into fashion. On the wall with the photos, are also the trophies and medals he has won, not for fashion, but for football.
They all date back to the time Nkosi was into soccer. As a teenager, he was a midfielder.
“I was called ‘Teko’ from Teko Modise,” he says.
He imagined becoming a world-class football player in his 20s limbering up preparing for soccer war in the stadiums.
But that dream was shattered when an injury changed the course of his life forever.
This happened when he was 16, playing football in Soweto.
“I got tackled from behind. That was when my knee twisted,” he says.
He didn’t see a doctor, and continued to play. Only now does he regret not going for treatment.
“I thought that maybe if I felt better I could play. Only to find out that I was damaging it and it became worse. Then there was a point where I realized it was no longer working.”
Nkosi was devastated that he may never get the chance to play football again.
He was grieving the loss of his first love not knowing he would find something he would enjoy doing, again.
His sister consoled him and encouraged him to start something new. That’s when he did some serious soul-searching. After weighing his pros and cons, he started thinking of himself as a fashion designer.
“Being a fashion designer, it’s somewhat like a calling. Because I didn’t just wake up and decide to be one or be inspired by someone,” he says.
Fashion taking over his life came as some sort of divine intervention. He says he has never looked back since.
<div id="attachment_36175" style="width: 209px" class="wp-caption alignleft"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-36175" class="size-medium wp-image-36175" src="https://www.forbesafrica.com/wp-content/uploads/2018/05/291_KM-199x300.jpg" alt="" width="199" height="300" srcset="https://cms.forbesafrica.com/wp-content/uploads/2018/05/291_KM-199x300.jpg 199w, https://cms.forbesafrica.com/wp-content/uploads/2018/05/291_KM-300x451.jpg 300w, https://cms.forbesafrica.com/wp-content/uploads/2018/05/291_KM-600x903.jpg 600w, https://cms.forbesafrica.com/wp-content/uploads/2018/05/291_KM-768x1156.jpg 768w, https://cms.forbesafrica.com/wp-content/uploads/2018/05/291_KM-681x1024.jpg 681w, https://cms.forbesafrica.com/wp-content/uploads/2018/05/291_KM.jpg 1361w" sizes="(max-width: 199px) 100vw, 199px" />Zamaswazi Nkosi. Photograph by Karen Mwendera.</div>
He accepted this calling and hosted fashion shows within his community, in Zola. It seemed the needle – in more ways than one – was turning in his favor.
His first show had only 10 people attending, but that did not discourage him.
Nkosi then attended a SAFW event with the hope he could one day showcase his work on the platform. He watched closely the designs of one of his favorite South African designers, David Tlale, on the runway.
“I told myself ‘no man, I can do this’.”
There was just one hurdle. He had no academic qualifications for the job.
“On big platforms like SAFW they normally require fashion qualifications like a diploma or anything that relates to fashion. So, as Zamaswazi, I had nothing on paper. I only had skill,” he says.
After countless rejections, he one day garnered the courage to speak to the founder of SAFW, Lucilla Booyzen. A nervous but determined 24-year-old Nkosi walked up to her after one of the shows.
Booyzen told Nkosi to do what he had already done before. “Just apply,” she said.
But Nkosi was not having it. The young boy from the township was determined.
“I was like, ‘no if you need paper [qualifications] and I’m dressing my own clothes and it’s proper, why can’t you let me showcase’?”
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She then told him to come to her office and talk about opportunities. And the rest was history.
He had to prepare a proposal and showcase his work to a number of top fashionistas. It included creating a fashion portfolio, storyboard and designs of his pieces.
“It took me two weeks to even know what ‘portfolio’ is. That’s how I learned,” says Nkosi.
He was then shortlisted for the ‘scouting menswear collection’ in association with GQ magazine in 2015.
The platform brought his designs to life and Nkosi got his first break at SAFW.
Nkosi has showcased his designs at SAFW events, designing clothes for men that are modern with an African twist. His signature is the hemmed-in African print on to modern clothing. Much like the shirt he is wearing at this interview.
Nkosi relates this to his heritage and humble beginnings that forced him to merge different kinds of material into one. Unlike some of the other designers at sought-after fashion showcases such as SAFW, Nkosi says he designs and sews his clothes himself.
In his hometown Soweto, his friends and neighbors still can’t believe the boy who once played soccer swapped the ball for a sewing machine.
After the interview, he courteously helps us again to carry out our equipment.
Parked outside his house is his red vintage Beetle car with the word ‘Zamaswazi’ engraved on it. He bought the car last year.
Even though the engine doesn’t run he says he plans to work on it so he can do the six-hour drive to attend the annual Durban July.
The trendy man in the white fedora riding a red vintage car through the scenic green landscapes of South Africa to attend a premium horseracing event – it’s a pretty picture indeed.
<div id="attachment_36176" style="width: 1034px" class="wp-caption alignnone"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-36176" class="wp-image-36176 size-large" src="https://www.forbesafrica.com/wp-content/uploads/2018/05/357_KM-1024x681.jpg" alt="" width="1024" height="681" srcset="https://cms.forbesafrica.com/wp-content/uploads/2018/05/357_KM-1024x681.jpg 1024w, https://cms.forbesafrica.com/wp-content/uploads/2018/05/357_KM-300x200.jpg 300w, https://cms.forbesafrica.com/wp-content/uploads/2018/05/357_KM-600x399.jpg 600w, https://cms.forbesafrica.com/wp-content/uploads/2018/05/357_KM-768x511.jpg 768w, https://cms.forbesafrica.com/wp-content/uploads/2018/05/357_KM.jpg 1902w" sizes="(max-width: 1024px) 100vw, 1024px" />Zamaswazi Nkosi designs and sews his clothes himself. Photograph by Karen Mwendera.</div>

365_KM

From Football To Fashion

The names Nhlanhla Nciza and Mafikizolo are like bread and butter. Nciza embodies style and elegance, but behind this creative, is a businesswoman trying to make her mark parallel to her music career.
When she grabs the microphone, the world dances at her feet. Nciza fills the stage with joie de vivre and ebullience. She has the voice most people only dream of, that contemporary, yet retro throwback to Miriam Makeba, which appeals to both young and old. She dances on stage with panache, like a shy child being encouraged, but with elegance and class.
Nciza, 36, is not just the ‘first lady’ of Mafikizolo, but a woman harnessing another passion into a business. Having taken interest in the imaging of her career, it naturally followed that this stylish songbird would make a successful foray into fashion design, through NN Vintage.
<img loading="lazy" decoding="async" class="alignleft size-medium wp-image-6340" src="/wp-content/uploads/2017/05/IMG_6619-200x300.jpg" alt="" width="200" height="300" />
Mafikizolo, which means ‘new arrivals’ in isiZulu, has long outgrown its name. Nciza and fellow band member, Theo Kgosinkwe, have stuck it out for more than a decade, through thick and thin.
The duo has enjoyed a longevity uncharacteristic of many music bands. They started out competing at talent competitions, and now they’ve ended up winning numerous accolades.
“The awards mean a lot. We’re getting more love than we did before,” she says.
At the fourth MTV Africa Music Awards (MAMAs) in June, in Durban, Nciza thought she had no chance. A Nigerian was certain to win with their country’s 125 million subscribers ready to cast their mobile votes. A safe bet, since the Nigerian mobile market is the largest on the continent. Instead it was Nciza and Kgosinkwe who ended up walking to the podium for Song of the Year, for their hit anthem Khona. They also won for ‘Best Group’.
“Winning Song of the Year means a lot especially that Nigeria has a bigger population than South Africa, and we still won the award. It shows that people still love our music all over the continent,” says Nciza.
Mafikizolo returned from the United States (US) in June following their debut at the Black Entertainment Television (BET) Awards in Los Angeles. The judges nominated Mafikizolo for Best African International Act, pitted against other exceptional African musicians including Nigeria’s Davido. Together, they had collaborated on a song called Tchelete, meaning money in seTswana, that’s currently ruling the airwaves in South Africa. Davido won on the night but for Mafikizolo, just being there – and performing for the first time in the US – was remarkable.
Fifteen months after releasing their double-platinum eighth album, Reunited, following their hiatus, the group sealed their comeback with eight wins at the South African Music Awards (SAMA) in April, along with Channel O and Metro FM Awards, also in South Africa.
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Trials And Tragedy
Mafikizolo’s story is also one of struggle. The band formed in 1997, and signed with one of South Africa’s biggest recording companies, Kalawa Jazzmee Records. Their first four albums barely made a ripple.
Worse was to come&#8230;
In December 2001, the group, then a three-member band, nearly died in a car accident. The trio had decided to drive to Katlehong, following a performance in Durban. Once home, they decided to drive in the dead of night to Mafikeng for a performance the next day.
<img loading="lazy" decoding="async" class="alignleft size-medium wp-image-6341" src="/wp-content/uploads/2017/05/IMG_6622-200x300.jpg" alt="" width="200" height="300" />
“Theo wanted to drive, I guess he wanted to impress his new girlfriend, now his wife. So the rest of us fell asleep and we were woken up by a big bang. And the next thing I remember was lying on the gravel on the side of the road,” says Nciza.
Their car had been hit by a train. Fortunately that night, all of them survived. The rest of the band was discharged the next day from hospital, but Nciza had to stay on for over three months.
Lucky to be alive, the group released an album the following year, Sibongile, meaning ‘we thank you’ in isiZulu. It was their breakthrough.
All was well. The group had picked up the pieces and were getting back on their feet when tragedy struck again on Valentine ’s Day in 2004. Vocalist Tebogo Madingoane was shot and killed in a road rage incident in South Africa.
Madigoane had brought the Kwaito sound to the group and his loss was another blow. Nciza and Kgosinkwe never thought they would end up as a duo, but in sadness, they did. After mourning Madingoane, the two picked themselves up with the sound of Mafikizolo.
Then came a purple patch. They released three more albums, Khwela, Van Toeka Af and Six Mabone.
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Mafikizolo 2.0
Their popularity grew but in 2008 they took a break to reinvent themselves as solo artists.
“It was scary for me and a completely different experience as I was so used to depending on Theo for so many things… I had to gain confidence and believe in myself, so I used my other talent to grab people’s attention and that was my [passion for] fashion,” she says.
During this time, Nciza released two albums, Inguquko (Change) and Lingcinga Zam (My Thoughts), and also started to put more hours into her clothing business, which she had started a year before.
However tragedy followed her. Nciza and her record company executive husband, Thembinkosi Nciza, lost their five-year-old daughter Zinathi in a car accident in December 2009. She was with her grandmother on their way to a pre-school to pick up a cousin when their car crashed into a tree. The grandmother blacked out behind the wheel and suffered minor leg and chest injuries.
“My work was greatly affected. I was in the middle of promoting my second album when Zinathi passed, so everything was on hold. A part of me is gone and it is the kind of emptiness that I may have to accept that may never be filled… I really did not know where to begin, where to start picking up the pieces and for a very long time I just remained in one place not knowing how to move on, it felt wrong to move on,” says Nciza.
“Were it not for my husband, I really don’t know how I could have started living again. In 2012, I was blessed with a son, Luvuyo and I am just grateful to God that he gave me a chance to be a mom again.”
<div id="attachment_6345" style="width: 310px" class="wp-caption alignleft"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-6345" class="size-medium wp-image-6345" src="/wp-content/uploads/2014/08/451413792-300x210.jpg" alt="" width="300" height="210" />LOS ANGELES, CA &#8211; JUNE 28: Singers Theo Kgosinkwe (L) and Nhlanhla Nciza of Mafikizolo perform onstage at the Music Around the Globe during the 2014 BET Experience At L.A. LIVE on June 28, 2014 in Los Angeles, California. (Photo by Tommaso Boddi/BET/Getty Images for BET)</div>
After mourning her daughter, she pulled herself together, mustered strength and continued with her career. Her family kept her going.
“Keeping busy helped me focus on other things, so I started writing music again, performing and started designing again,” she says.
Through NN Vintage, Nciza started to hire young people looking for jobs.
“I wanted to develop young talent. It was more about the love [of clothes and music] and not making money. I didn’t look at it in the business sense,” she says.
Nciza says she acquired her compassionate nature from her father, a court interpreter, who, even when his immediate family was struggling, would invite cousins into his home. Nciza ventured into the fashion business without any prior experience.
She hired eight seamstresses, a receptionist and rented a small studio where they could work from, financing it all herself, at a cost of around R70,000 ($6,500) a month. Revenue from her music career kept the business alive. But it was doomed from the first stitch.
“I realized a year and a half into my business that I had employed too many people and [had] too much equipment. When the recession came, I was probably the first person to go down,” she says.
“I lost a lot of money, around R600,000 ($56,000) including my savings. I was new in fashion and I needed to prove myself. I was a new designer and I couldn’t sell a R10,000 ($930) dress.”
Most times, the people who bought her dresses were those who knew her and her music, yet there were times when she struggled to make sales. She was so proud she kept the business failures to herself.
“I didn’t want to tell people that NN Vintage wasn’t there anymore,” she says. Her husband could have helped financially, but Nciza wanted to go it alone. She had to let go of nearly all the employees who worked for her. By the end of 2010, to keep her brand alive, Nciza stopped dressing clients and only designed for herself.
The following year, she went back to the drawing board. She started by sketching her own designs and slowly hired seamstresses to bring her designs to life.
“Right now it makes sense. I still want to learn more and empower myself. I want to learn how to make a garment,” says Nciza.
“When I started out, I was a bit conservative. I wore below-the-knee dresses. It was me at the time. What I do is not necessarily following trends.”
And indeed, Nciza is a fashion risk-taker. She is a musician with a palette for setting trends, just like the black and white dress on the cover of this issue, which she first wore for the opening act of the MAMAs.
“For this particular performance, I wanted attire that commanded attention, so I played with a lot of color and bright accessories. My designs are always inspired by Africa. They are feminine, yet bold and fierce at the same time,” she says.
At last year’s SAMAs, she wore a long-sleeved silver umbrella shirt with a pink ribbon around her waist and skirt. Another risk she took was at this year’s Metro FM Awards where she wore a monochrome striped peplum shirt with an umbrella skirt.
Her designs are for her fans. The revived NN Vintage is aimed at making garments for young adults and older women carving a niche in their industries.
Having been in the fashion business only a few years now, Nciza admits she is not making “crazy” money just yet, but claims people trust her brand. Nciza says she now sells garments costing up to R7,500 ($700), and is slowly getting her clients back, some from as far as Tanzania and Botswana. This would allow her to employ designers and more seamstresses and also open a store when the time is right.
“I plan to create a special range to supply to bigger stores, so it can reach all parts of the country, as that is my biggest challenge right now. I have also started with a men’s range and it will be launched soon,” says Nciza.
Few musicians are able to juggle their music careers, business and family, but Nciza is doing well.
<div id="attachment_6346" style="width: 210px" class="wp-caption alignleft"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-6346" class="size-medium wp-image-6346" src="/wp-content/uploads/2014/08/451412938-200x300.jpg" alt="" width="200" height="300" />LOS ANGELES, CA &#8211; JUNE 28: Singer Nhlanhla Nciza of Mafikizolo performs onstage at the Music Around the Globe during the 2014 BET Experience At L.A. LIVE on June 28, 2014 in Los Angeles, California. (Photo by Tommaso Boddi/BET/Getty Images for BET)</div>
Mafikizolo’s music is inspired by their upbringing, their neighborhoods, their stories of love, and hardship.
“You don’t need to sell your soul in order to get ahead. Try and push, only talent will get you where you want,” she says.
Indeed, hard work and talent have taken Nciza and Mafikizolo to attain the success they are enjoying today. Nciza has created a new brand of South African music and a new brand of fashion. Both have her unmistakable stamp.

Tag: Fashion Design

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