You are an established Hollywood actress now – an Oscar winner for 12 Years a Slave, do you have any plans to start your own business, be it a production house or otherwise?
Well, I actually am producing a film, Americanah, by Chimamanda Ngozi Adichie and I am putting that hat on my head.
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<h3>And how is it going wearing two hats?</h3>
It is going well, it’s a learning curve for sure. But this is an industry I am very passionate about, I love storytelling. So I am just learning a new way to tell a story.
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The experience of being on the red carpet that night of the Oscars, what goes through your mind when they announce your name?
It was very confusing.
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<h3>In what sense does time stop?</h3>
It’s just I didn’t know if they had said my name or if I had said my name or my brother said my name, and you have no time to figure it out, you have to get up there and say something.
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And in terms of your process for a role, what do you do to embody the character, what is your method as it were?
Each role speaks for itself and you kind of design your preparation, depending on the kind of role. But it always starts with research about the world the character lives in.
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<h3>What kind of research did you do for Queen of Katwe?</h3>
Well, it was about learning as much as I can about these people. I was fortunately privileged enough to have the real Harriet – she is very much alive and kicking – and I sat with her and asked her to tell me about herself from her perspective and that was really cool, to ask her why she let Phiona go to Robert Katende’s chess academy and she was very practical, she said ‘he could give her a cup of porridge when I couldn’t’. So this is a woman who is very practical and principled as well and I felt very honoured to play because her dignity is one that doesn’t have a price tag on it.
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<h3>What is the experience of shooting in Uganda like?</h3>
It was incredible, to be on location shooting in the places where these things transpired, you are doing research as you walk and every day you are learning something new and deepening your understanding of your character and the world you live in. So for me, it was very fertile to be in Kampala, in Katwe, in its environments.
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<h3>As an African actress, you’ve now very much become an icon on this continent, do you feel it’s a big responsibility to shoulder and how do you feel to potentially mentor young girls to get where you’ve gotten to?</h3>
Well I don’t feel a responsibility at all, I feel like it’s my opportunity, it’s a conviction of my heart. I didn’t grow up seeing very many movies like Queen of Katwe, certainly not told by Disney so to have a chance to be that mirror this time feels very meaningful.
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<h3>Marvel’s Black Panther… what is your involvement there, are you are allowed to talk about it?</h3>
I am allowed to say who I am playing which is Nakia, and that’s about it.
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<h3>Is it a big studio film or…?</h3>
It’s Marvel… so it’s in the league of Captain America, Avengers and Iron Man… those kind of movies.
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<h3>Other than that, what are your future plans at this stage?</h3>
I am definitely looking forward to that, I have not shot that yet. So that is coming up shortly, and I think it’s going to be a lot of fun and totally new role for me and I will be producing Chimamanda Ngozi Adichie’s Americanah as well and I hope to do comedy sometime soon.
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<h3>In terms of influences, who are they, be it directors, actors or actresses?</h3>
Oh…I am very fortunate to work with people like J.J Abrams, Mira Nair, and Steve McQueen to name a few. I love Cate Blanchett, I love her work, I loved Elizabeth Taylor as well, Viola Davis is fierce, Sidney Poitier is incomparable, yeah, those are some of them…

Queen of Katwe Movie Premier in South Africa

‘I Hope To Do Comedy Sometime Soon’

The night we go to press with this issue is when Lupita Nyong’o jets in from Kampala to Johannesburg for the premiere of her new film, Disney’s Queen of Katwe, releasing in South Africa mid-October.
Getting a phone interview – even two exclusive email quotes – from this African A-lister, despite relentlessly pursuing her PR machinery for months, has proven painfully difficult.
But this is Lupita, the African who brought home the best supporting actress Oscar for her turn as Patsey in Steve McQueen’s 12 Years a Slave in 2014. Her Cinderella-esque pose with the Oscar statue in the billowing blue – a color she famously said reminded her of Nairobi – Prada dress is still fresh in social media memory.
This spring, she was seen in Eclipsed, which made its Broadway debut and was written by another famous African daughter, Danai Gurira, the playwright more popular as the actress in The Walking Dead.
Eclipsed, a story about hope and activism starring a cast of all-African women, saw Lupita scoop the best Broadway debut performance award at the 2016 Theatre World Awards. The play explores the journey of four women drawn together due to the turmoil in their home country, Liberia.
Referring to her portrayal in Eclipsed, The New York Times said: “The superb Lupita Nyong’o is one of the most radiant young actors to be seen on Broadway in recent seasons.”
The Mexican-born Lupita, who was raised in Kenya, plays a part closer to home in Queen of Katwe, as Harriet, the strong-willed mother of Ugandan child chess prodigy, Phiona Mutesi.
The coming-of-age film, which is a true story, set in Katwe and Kibuli in Uganda, is directed by Mira Nair, who has straddled world cinema with such memorable films as Salaam Bombay!, Mississippi Masala, Monsoon Wedding, The Namesake and The Reluctant Fundamentalist. Nair has had a home in Kampala for the past 27 years and is the founder of Maisha Film Lab, a film school for East Africans.
In a press statement, Nair says the role of Harriet was written for Lupita, who she has known for years.
“I thought of Harriet as a young Mother Courage, and that is the strength and beauty that is in Lupita,” says Nair.
Lupita was an intern at Nair’s production company Mirabai Films in New York before she shot to fame with 12 Years a Slave. The actress had reportedly broken down and cried after reading just 10 pages of the script of Queen of Katwe.
“It was the first time in a while that I’d been so enlivened, inspired and challenged by a role I was considering,” says Nyong’o.
In its review of the film, The New York Times, said: “The sight of well-fed, well-dressed schoolboys beaten by a girl — a poor girl, at that — would be satisfying even if Queen of Katwe were a less vivid and engaging movie.”
In the interim leading up to the film, Lupita had also essayed roles in Non-Stop with Liam Neeson, The Jungle Book and played the voice of 1,000-year-old space pirate Maz Kanata in Star Wars: A Force Awakens, which released winter 2015.
And there have been other ‘appearances’. Lupita recently posted a video on her Instagram account showing off her freestyle-rapping skills, much to the mirth of her 3.1 million followers.
Lupita is also the Global Elephant Ambassador for WildAid, a wildlife conservation group focusing on protecting animals from being poached.
While Kenya banned the ivory trade over 20 years ago, WildAid says close to 33,000 elephants are killed annually in Africa for ivory. Lupita joined WildAid, for the campaign ‘Poaching Steals from Us All’, in July 2015, to advocate the protection and survival of elephants. It’s a role she takes seriously.
WildAid CEO Peter Knights says it has been amazing working with the star.
“Lupita is such a powerful presence on-screen, and this power has translated so beautifully to this campaign. She is truly passionate and committed to saving Africa’s elephants,” says Knights to FORBES WOMAN AFRICA.
Lupita had recently also gone back to her roots in Kenya for the October cover of Vogue. Needless to say, the 33-year-old Yale School of Drama graduate is leaving a trail as the beacon of hope for other young women in her country.
Moses Wafula, the principal of St. Mary’s School Nairobi, where Lupita was a student, calls her the school’s “heroine”.
“St. Mary’s School is very proud of Lupita. It’s a joy even to us who have ridden in the fame she has brought to the institution. Her success is a brand to our school and thence, many students have joined this institution since her Oscars’ triumph,” he says.
Attests Vivian Onano, an activist and youth ambassador for UN Women, who hails from Kisumu county in Kenya where Lupita is also from: “Lupita is a great role model and an inspiration for many young African women, me included. Despite her success, she has maintained her authenticity and stayed grounded. She has boldly showed us that you don’t have to conform to Hollywood’s definition of beauty to be successful in the global space. She acknowledges her roots and has used her platform to create opportunities for other young ladies who aspire to be like her.”
Kenyan photographer Lyndsey McIntyre, who knew Lupita before she became famous, was invited by the actress to a film she had produced on albinism, a subject McIntyre says Lupita is passionate about.
“The documentary was incredible… She always had that star quality about her even years ago but was humble, intelligent and very charming. I have no doubt Lupita is still humble and charming, she is just one of those types of people I think will manage to keep her feet on the ground,” she says.
“Like most people who acquire that level of recognition, she is exceptional, a one in a million. She has many gifts — her beauty, her intellect, her tremendous talent and her lovely personality but she was also privileged in her upbringing and studied her craft in the US when she was signed by obviously an excellent agent. She was not plucked out of a village in rural Kenya or even out of Nairobi,” says McIntyre.
In Kenya, Lupita’s parents have a reputation of their own. Her father, Peter Anyang’ Nyong’o, is a professor of political science and senator of Kisumu county. Onano, who knows Lupita’s mother Dorothy (see interview on previous page), calls her: “A quiet lady though a great force and a doer; a very beautiful woman full of grace and a big heart.”
It’s the same grace and creative zest Lupita brings. Her hairstylist Vernon François, who created the brown and blue head wrap for her interview on American talk show Jimmy Kimmel Live in September, tells FORBES WOMAN AFRICA working with Lupita is a fantastic creative process.
“We have a very productive relationship because we are both always full of ideas and collaborate well. Selecting the material for every head wrap that I design for her, is always a team effort between Lupita, her stylist and myself,” he says.
Fans can now look forward to Lupita playing Nakia in Marvel’s Black Panther, which will cast her with The Walking Dead’s Gurira; the film’s expected to be released in 2018.
She is also in the upcoming much-awaited film adaptation of Nigerian author Chimamanda Ngozi Adichie’s book Americanah.
Africa is watching.
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<h2>‘She Will Continue To Break Through Ceilings For People of Color’</h2>
<div id="attachment_32006" style="width: 1034px" class="wp-caption alignnone"><img aria-describedby="caption-attachment-32006" decoding="async" loading="lazy" class="wp-image-32006 size-large" src="http://www.forbesafrica.com/app/uploads/2017/05/GettyImages-476081543-1024x871.jpg" alt="" width="1024" height="871" srcset="https://cms.forbesafrica.com/wp-content/uploads/2017/05/GettyImages-476081543-1024x871.jpg 1024w, https://cms.forbesafrica.com/wp-content/uploads/2017/05/GettyImages-476081543-300x255.jpg 300w, https://cms.forbesafrica.com/wp-content/uploads/2017/05/GettyImages-476081543-600x511.jpg 600w, https://cms.forbesafrica.com/wp-content/uploads/2017/05/GettyImages-476081543-768x653.jpg 768w, https://cms.forbesafrica.com/wp-content/uploads/2017/05/GettyImages-476081543.jpg 2048w" sizes="(max-width: 1024px) 100vw, 1024px" />SANTA MONICA, CA- MARCH 01: Actress Lupita Nyong&#8217;o (R) and mother Dorothy Nyong&#8217;o attend the 2014 Film Independent Spirit Awards at Santa Monica Beach on March 1, 2014 in Santa Monica, California.(Photo by Jeffrey Mayer/WireImage)</div>
<h4>Lupita’s mother, Dorothy Nyong’o, is an advocate for women and girls and whose work with the Africa Cancer Foundation speaks for itself. Known in Kenya for her commitment to cancer patients and cancer research, she also owns a public relations firm, 7th Sense Communications:</h4>
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<h4>Do you travel often with Lupita?</h4>
I occasionally travel to meet Lupita at work. She takes her work very seriously. She has a very high work ethic and does whatever is necessary to give it her very best. At the same time, she likes to enjoy her work. She is playful and builds in enjoyment of the process and of the moment. She has always done so.
<h4>How do think Kenyans have responded to Lupita’s success?</h4>
Kenyans generally own Lupita’s success. They have personal pride in her achievements and feel she belongs to them. They are inspired by her and have a lot of goodwill towards her. She is a good role model for many. People often ask me, ‘how is our daughter?’
<h4>What do you think the future entails for her in Africa?</h4>
Lupita is already a role model in Africa and worldwide. She is an influencer and a leader in her craft. She will continue to break through real and imaginary ceilings for people of color and for women all over the world. She will continue to create opportunities for Africans and people of color, worldwide.
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shutterstock_432782164-Ovidiu-Hrubaru-Shutterstock.com-

Queen Bee!

Kenyan actress Lupita Nyong’o, 33, grew up in Nairobi before studying film and theater at Hampshire College, Massachusetts. Her father, Peter, is a politician who has spoken of being harassed and tortured for his beliefs. In 2014, Nyong’o won the Oscar for best supporting actress for her role as Patsey in 12 Years a Slave. She currently lives in Brooklyn. Here, she talks fame, and how childhood readied her for it:
Being uncomfortable with sudden fame is nothing to be ashamed of. It can be trying and confusing. Being cast in 12 Years a Slave completely altered the architecture of my life. I had come straight out of school and everything seemed to change overnight. Suddenly there was all this recognition. It still surprises me when people know who I am.
If I look calm, it’s probably because I’m terrified. Human beings have three reactions to stress – fight, flight or freeze – and my default is to freeze. If that comes across as calmness, I’m lucky.
I have a lot to thank television for. As a child in Kenya, it presented me with a window to the world. I was exposed to different cultures through shows from England, Australia, Brazil, Mexico. TV taught me what it means to be human.
In my family, looking good is a sign of respect. You should take time to present yourself well for an occasion. I grew up with so much grooming that, after a while, I got sick of it and cut off all my hair.
My tempestuous nature has served me well. As an actor, I can play the storm as well as the eye of the storm. It is very damaging to have only one notion of beauty. My teenage years were plagued by the idea that light skin was better skin. There were adverts on TV about a woman trying to get a job and she only got it when she applied skin-lightening cream. I felt that I was not considered beautiful because of my complexion. My self-worth was deeply compromised in those years.
What you wear has to stand the test of time. You need clean lines and maybe a bit of humor, too.
My childhood prepared me for this life in more ways than I could have imagined. I witnessed my father navigating life as a public figure and also just being my dad. He was on the cover of the newspaper and everyone was talking about him in an abstract manner in my presence. Then I would go home to a very real man who was tired and needed a back rub. I grew up meeting world leaders and, as such, I have always known that incredible people are also very normal people.
Throw a seed over your shoulder and it will grow. At least, in East Africa it will. I miss eating the seeds from the baobab trees.
The most important thing to instil in a child is curiosity. Going to college was never a question. I was born expected to achieve. But I found school to be a very narrow experience, having to cram in all this theoretical and literary information. I learn through story and experience. If it weren’t for my parents, who were very liberal, I think I would have given up on myself.
Stand up for what you believe in. I’ve witnessed my father stand in the line of fire for his causes. He has sacrificed a lot for his beliefs and my family has had to stand by him and support his calling.
Don’t get me started on self-righteousness. The idea that how you see the world is the only way the world can be is so annoying. Eat deep-fried food. In Kenya, we deep-fry anything. There’s a snack called chevdo, which is a mix of deep-fried potatoes, peas, raisins and cashews. There’s a fruit that’s really good for you – higher in calcium than milk – but we fry it up with red spice before we eat it. It’s heavenly.

Celebrities Visit SiriusXM – September 26, 2016

Lupita Nyong’o:  What I’ve Learned

<h4>What are the highs of being a celebrity?</h4>
The love people give you. Being able to showcase your work on a platform that people see all over the country and continent, and sometimes even the world. Obviously that also has its downside but all in all it’s a blessing to have the opportunity to put smiles and sometimes tears on people’s faces. Being a walking billboard means you get a lot of glory for a collective and collaborative work.
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<h4>Your current state of mind…?</h4>
I’m always under the impression that success, happiness and love are a state of mind – a choice. You have to make that choice every day, at every turn. It’s not always an easy choice, but it’s the right one, no matter what is going on, don’t change your mind about who you are and what you want. Your mind is very powerful.
<h4></h4>
<h4>How are you finding life in New York?</h4>
It’s been incredible. I love the energy and vibe and spirit here. Everyone has a purpose and they chase it relentlessly. That’s how I see it anyway. People are passionate about their work and lives and it’s contagious! It isn’t an easy adjustment but beautiful and worthy acquisitions are never easy, it’s part of the journey. New York is like Joburg, just bigger.
Being unknown here is also giving me the opportunity to really meet the city in its awesome power and strength. It’s like meeting and understanding a machine that is intimidating and could instantly incinerate you. It’s incredible. So I’m learning well but fast. I love this place.
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<h4>What is more important when reading a script – the story or the money?</h4>
I’m an artiste and actor. The story is important to me, but the story alone won’t pay the exorbitant rent and food prices here in New York. So luckily there are agents and managers to sort that out for me here so I can focus on the scripts, the character and the story.
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<h4>When you visit family in South Africa, what do you look forward to?</h4>
To just be home. And bring back what I’ve learned to grow our industry there. I’m also interested to see how it grows and how different it will be.
I don’t want to lose touch with my people and my continent. I want to continue playing a part in the system there. I am not too good to still work in Africa. Africa made me and Africa will always have my love and my heart and mostly my talent. She nurtured it, she will always deserve it.
If you had 10 minutes to change the world, what would you do?
I need to consult a LOT of people to answer this. I want to say remove the power of money and materialism from the face of the earth. Point is, whatever I do, it would be to get people to a point where they love those around them more than they love themselves. We’re all connected; the day we all care about the next person more than ourselves is the day no one has to worry or be afraid. Love truly does conquer all things.
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<h4>Success is…?</h4>
Happiness. Complete fulfillment in every valuable aspect of your life. Accepting and learning from the victories and mistakes you have made. Looking and smiling at your journey with minimal regrets.
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Pearl-etch

Relentless In New York

The African entertainment space is perhaps too vast and too cumbersome to measure. But in the scattered data available we find the continent houses the world’s third largest homegrown film industry in Nigeria’s Nollywood, which according to a recent United Nations report, is larger than Hollywood by volume and second only to India’s Bollywood in worth, estimated at around $3 billion. The music arena is sweeping is similar terms.
If an artiste is defined by wholly the extent of their output and global influence, then these women are candidates for celebration.
<h3>Angélique Kidjo</h3>
<h3>Musician, Benin</h3>
<img decoding="async" loading="lazy" class="size-medium wp-image-30919" src="http://www.forbesafrica.com/app/uploads/2017/05/GettyImages-478138866-240x300.jpg" alt="" width="240" height="300" srcset="https://cms.forbesafrica.com/wp-content/uploads/2017/05/GettyImages-478138866-240x300.jpg 240w, https://cms.forbesafrica.com/wp-content/uploads/2017/05/GettyImages-478138866-300x375.jpg 300w, https://cms.forbesafrica.com/wp-content/uploads/2017/05/GettyImages-478138866-600x750.jpg 600w, https://cms.forbesafrica.com/wp-content/uploads/2017/05/GettyImages-478138866-768x960.jpg 768w, https://cms.forbesafrica.com/wp-content/uploads/2017/05/GettyImages-478138866-819x1024.jpg 819w, https://cms.forbesafrica.com/wp-content/uploads/2017/05/GettyImages-478138866.jpg 818w" sizes="(max-width: 240px) 100vw, 240px" />
She is perhaps the most iconic of modern African songstresses. Known for her electric performances and creative music videos, Kidjo began her musical life in Benin, then known as Dahomey, part of a musical family. Her mother was a theater director and her father, a photographer.
She fled her country following a coup in the early 1980s seeking a secure setting to chase her musical dreams.
“It was not possible to write your own music if you weren’t talking about the communist regime and the people in power. It was one thing I didn’t want to do. So the only option I had was to leave, otherwise I was going to end up in jail,” she says, speaking to us in 2015.
Since then, Kidjo has risen to become a Grammy-award winning artiste with over 37 albums in her repertoire.
The youngest in a large family, Kidjo’s childhood was colored by late nights, singing with her older brothers, at a little bar by the Cotonou lagoon. Eventually, she was headlining at jazz festivals across Europe with the legendary pianist, Jasper van’t Hof, and his afro-jazz ensemble, Pili Pili.
It was a difficult road to stardom.
“It was not easy&#8230;my parents were not rich enough to send [me] money. It was very hard, I had to find work. I did babysitting, I did hotel room cleaning, I did hair-braiding, I was a backup singer in a band. It was a matter of survival but I was free and that freedom had no price for me,” she recalls.
Kidjo did more than survive, she flourished. Her time with Pili Pili eventually led her to a recording deal with Island Records in Paris. A string of number one hits followed and she became a world music icon, picking up awards and accolades at every turn.
TIME magazine hailed her as “Africa’s Premier Diva” in 2007 but she remains true to her personal philosophies in an industry that is notoriously unkind to those with weaker spirits.
“One thing I learned as a young girl singing was always to be true to my inspiration, never ever give that up in order to please other people. If you cannot sing your song alone without instrumentation and be happy, don’t put it out there! You cannot be an artiste thinking that you want to be somebody else. You need to know what kind of artiste you want to be and why you want to be that,” she says.
Kidjo’s latest album, Eve, is dedicated to the women of Africa. She details stories of youth and rise in her memoirs, Spirit Rising, My Life, My Music published by HarperCollins in 2014.
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<h3>Danai Gurira</h3>
<h3>Actress and playwright, Zimbabwe</h3>
<img decoding="async" loading="lazy" class="size-medium wp-image-30930 alignleft" src="http://www.forbesafrica.com/app/uploads/2017/05/Danai-02-200x300.jpg" alt="" width="200" height="300" srcset="https://cms.forbesafrica.com/wp-content/uploads/2017/05/Danai-02-200x300.jpg 200w, https://cms.forbesafrica.com/wp-content/uploads/2017/05/Danai-02-300x450.jpg 300w, https://cms.forbesafrica.com/wp-content/uploads/2017/05/Danai-02-600x900.jpg 600w, https://cms.forbesafrica.com/wp-content/uploads/2017/05/Danai-02-683x1024.jpg 683w, https://cms.forbesafrica.com/wp-content/uploads/2017/05/Danai-02.jpg 682w" sizes="(max-width: 200px) 100vw, 200px" />
Gurira is a consuming personality. She is both an actress and playwright. Her plot lines are at once accessible and complex, delving into the lives of everyday women fighting the insurmountable and emerging, at their conclusion, to a victorious reckoning. She writes to entertain and educate.
Her Off-Broadway play, In The Continuum, on women making peace with their HIV status debuted when she was still an MFA student at the NYU Tisch School of the Arts and won three accolades including the Helen Hayes Award for Best Lead Actress.
Her most recent production, Eclipsed, written in 2009, follows the lives of five Liberian women at the height of the country’s drawn-out civil war as they navigate the horrors of wartime and the people they become.
This has scaled even higher heights than her previous one. It received an African treatment in 2014, at Johannesburg’s Soweto Theatre, in an adaptation directed by South African actress, Warona Seane. The current production opened at the Public Theatre in New York City to rave reviews in October 2015 with Kenya’s Oscar-winning diva, Lupita Nyong’o, at the lead.
As an actress, Gurira can be seen weekly on American hit television serial, The Walking Dead, as the no-nonsense, zombie fighting Michonne. She also has six film credits to her name, notably as Adenike Balogun, a Nigerian woman dealing with infertility, in the independent drama, Mother Of George. Eclipsed ran at The Public Theatre in New York until November 29. A third play, Familiar, based on a Zimbabwean family transposed in Minnesota is slated for 2016.
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<h3>Lupita Nyong&#8217;o</h3>
<h3>Actress, Kenya</h3>
<img decoding="async" loading="lazy" class="size-medium wp-image-30921 alignleft" src="http://www.forbesafrica.com/app/uploads/2017/05/Lupita-01-206x300.jpg" alt="" width="206" height="300" srcset="https://cms.forbesafrica.com/wp-content/uploads/2017/05/Lupita-01-206x300.jpg 206w, https://cms.forbesafrica.com/wp-content/uploads/2017/05/Lupita-01-300x437.jpg 300w, https://cms.forbesafrica.com/wp-content/uploads/2017/05/Lupita-01-600x874.jpg 600w, https://cms.forbesafrica.com/wp-content/uploads/2017/05/Lupita-01-768x1118.jpg 768w, https://cms.forbesafrica.com/wp-content/uploads/2017/05/Lupita-01-703x1024.jpg 703w, https://cms.forbesafrica.com/wp-content/uploads/2017/05/Lupita-01.jpg 702w" sizes="(max-width: 206px) 100vw, 206px" />
For moviegoers outside East Africa, Nyong’o must have seemed to burst into view out of relative obscurity. However, she was on the Kenyan stage and television before she took on the hearts and minds of red carpet watchers worldwide.
Nyong’o was a thespian from a young age, as a member of Ian Mbugua’s Nairobi Phoenix Players, she lead as Juliet in a local adaptation of the Shakespearean, Romeo and Juliet.
However, her big break was a culmination of efforts. She signed on as a member of production staff on various big budget films from The Constant Gardener, shot in Kenya, to Mira Nair’s adaptation of Jhumpa Lahiri’s The Namesake.
From there she won a place at the Yale School of Drama where she was awarded a prize, in her final year, for ‘outstanding ability’ in her craft. Earlier, in 2008, she appeared in an independent short film shot in New York. The year after that, she directed a documentary, In My Genes, on the much discriminated-against albino population in Kenya. It won first prize at the Five College Film Festival.
With all of this behind her, she was cast in her breakthrough role as Patsey in Steve McQueen’s stellar cinematic effort, 12 Years A Slave, just three weeks before her graduation. From there came her surprise Oscar win.
Her most recent project is with Zimbabwean playwright Danai Gurira and her play Eclipsed, playing a young woman who finds herself a sex slave in the rebel camps of wartime Liberia.
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<h3>Souad Massi</h3>
<h3>Singer-songwriter, Algeria</h3>
<img decoding="async" loading="lazy" class="size-medium wp-image-30931" src="http://www.forbesafrica.com/app/uploads/2017/05/GettyImages-163396633-199x300.jpg" alt="" width="199" height="300" srcset="https://cms.forbesafrica.com/wp-content/uploads/2017/05/GettyImages-163396633-199x300.jpg 199w, https://cms.forbesafrica.com/wp-content/uploads/2017/05/GettyImages-163396633-300x452.jpg 300w, https://cms.forbesafrica.com/wp-content/uploads/2017/05/GettyImages-163396633-600x904.jpg 600w, https://cms.forbesafrica.com/wp-content/uploads/2017/05/GettyImages-163396633-680x1024.jpg 680w, https://cms.forbesafrica.com/wp-content/uploads/2017/05/GettyImages-163396633.jpg 679w" sizes="(max-width: 199px) 100vw, 199px" />
Perhaps one of the most successful singer-songwriters in the Arab-speaking world, Massi marries beautifully composed guitar harmonies with her enchanting voice, often the only instruments in her employ, to tell stories through her songs. First-time listeners might compare her music to the American blues softened by the poetic lightness of careful lyrics.
While she is based in France, she was born in Algeria to a forward-thinking, but poor, family of six in 1972. She learned to play the guitar quite early and often performed her compositions to keen family and friends. At the beginning of the 90s, as the country plunged into civil war, Massi joined a political rock band called Akator and had a successful seven-year run with them, producing underground hits and popular music videos.
However, as the war raged on and her popularity soared, she became a target for the conservative fundamentalists that were quickly winning political ground in the country. They threatened her family and they threatened her life. Unfazed, Massi continued her musical conviction, cutting her hair short and disguising herself as a man.
“I grew up in a modest family in Algeria but I [was given] a lot of chances because my parents liked music, so it was easy to listen and to play the guitar. [This became] very hard because it was the civil war, it wasn’t easy to play on stage. In past it wasn’t a problem, but when the movement of Islamists it became very hard for us women to express ourselves, to [wear] clothes that we want. People thought that I [performed] on purpose, to attract attention but that wasn’t my idea,” she told the BBC in October.
Despite her camouflage, it was clear the extremists didn’t care for her music or her opinions. The death threats continued. In 1999, she accepted an invitation to play at a Paris festival and she never returned. Days later she was signed on to a local imprint of Universal Records and two years later she emerged with a celebrated first album, Raoui. It became a commercial success in Europe.
Although a deep yearning for the country she left behind echoes in her music, Massi understands that her voice is much stronger outside the constraints of the conservative society she fled.
“What I did in France, I could never do in Algeria,” she says.
In 2015, she released her latest album, El Mutakallimun, a collection of ancient poems from 9th century Arabic poets living in Cordoba, Spain, put to music. She says she wants the album to counter the negative stereotypes perpetuated of the global Islamic community.
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<h3>Genevieve Nnaji</h3>
<h3>Actress, Nigeria</h3>
Africans, the world over, have patronized a Nigerian movie at one point or another. With complex plot lines and exaggerated theatrics, Nollywood is the undisputed home of African cinema. And of its many on-screen darlings, Nnaji is perhaps one of the more prolific. In 2009, Oprah Winfrey dubbed her the ‘Julia Roberts of Africa’.
A former child model, Nnaji got her start in acting almost by accident. A local soap opera was short of child actors and they called into the modeling agency for recruits. Three names were put forward and she was among them. At eight years old, the actress was born.
“I enjoyed it, it was fun. I never felt so alive,” she told CNN in 2011 about the experience.
Over a decade later, she made her Nollywood debut at 19 with the movie, Most Wanted. Since then, her talent has been lent to over 80 titles of the industry and she has found herself thrust forward as a Nigerian ambassador appearing at film screenings in London and beyond.
This responsibility is not taken lightly.
“As long as you are a celebrity, you are an ambassador [to the rest of the world] they can’t see the whole country so what you show people is basically&#8230;what you show [of] back home,” she says.
In addition to acting, Nnaji has an album, One Logologo Line, released by a Ghanaian record label in 2004. She is also an accomplished model spawning a line of endorsement deals including being the face of Lux beauty products in West Africa.
However, she still has more planned for the future. In 2008, she launched her own clothing line St. Genevieve which donates some of its profits to charity.
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<h3>Warsan Shire</h3>
<h3>Poet, Somalia</h3>
Entertainers do exist in spaces outside music and film. While she is shy to admit she is a performer, writer and poet Shire launched her career at a poetry slam when she was just 16. Although the concept was new and bewildering to her, she got on-stage and performed her piece and to her surprise, won.
“I was very nervous. I didn’t really understand what a poetry slam was. Then I won. My friends jumped around. I didn’t want to ever do another poetry slam, but I think it has a lot to do with how I approach readings,” she says.
Since then she has used the internet to share her work becoming a sensation among a new breed of literary minded young Africans. She has released a popular album of spoken poetry, warsan versus melancholy (the seven stages of being lonely) and has been invited to perform her work from Berlin to Johannesburg.
However, she insists that first she is a writer.
“I’d rather listen than speak. It’s overwhelming, the amount of detail I see in really mundane scenarios: strangers touching one another; someone arguing on the phone; a man falling asleep on the train. I’ll fill in the gaps of the story myself. In my mind I’ll follow them home, I’ll imagine their childhood, what their bedroom looks like, if they are in love with someone who does not love them. The downfall is that I give everything (and everyone) too much meaning. Sometimes a thing is vacant and I’ll create depth for it; that’s not always fair,” she says.
Shire is an also an editor at SPOOK magazine, which focuses on the alternative literary arts. In 2012, she released her debut book of poems, Teaching My Mother How To Give Birth.
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<h3>Anne Kansiime</h3>
<h3>Comedian, Uganda</h3>
Funny woman of East Africa, Kansiime was an internet superstar before she even got on television. Her videos have been liked and shared thousands of times over even though her comedy persona is very Ugandan.
Hailing from a little village in western Uganda, she began her career in comedy while a student at Kampala’s Makerere University. She dabbled in drama and music but continued on with a degree in Social Sciences due to family expectations. Desperately looking for an avenue to showcase her talents, a friend urged her to record her skits and upload them online. After her first few hits, it was clear that she was a big, and unique, talent.
“I didn’t see it coming. I would post a clip and get a reaction, and I thought that I would put it on YouTube&#8230;I got motivated and kept on posting and posting till I started receiving phone calls and [even] receiving money from people who weren’t even in Africa. I didn’t know what I was doing but I knew I was doing a job and I liked it and people liked it,” she told Kenyan media in 2014.
Encouraged by the outpouring of support, she carried on to become a viral hit in no time.
“I just wanted to act. I didn’t understand [then] that acting would make people laugh,” she says.
Already, she has almost a quarter of a million followers on her YouTube channel. Some of her videos have been watched over a million times. She has performed in a variety of venues from London to Lilongwe.
Currently, her weekly online comedy sketch show Don’t Mess With Kansiime can be seen on her YouTube channel. In 2015, she released a debut music album, My Name Is Kansiime, available for digital download on Amazon and Itunes. Kansiime performed live in Washington D.C and New Jersey, as part of her World Tour, in late November.

The Stars  Of Africa

The year was 1980, when Zimbabwe gained independence and thousands of educated black Zimbabweans found new opportunities in government and public institutions.
Around the time, Kubi Chaza, an international model, actress and nurse trained in the United Kingdom, had just returned home to Zimbabwe.
The opportunities in her country did not challenge Chaza (now Indi) enough, so she chose to defy the odds, deciding to plunge into the hitherto unknown cosmetic industry catering to black-skinned women.
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At the time, there were only beauty products for the white-skinned.
Before returning to Zimbabwe and becoming known in her country as a businesswoman, Chaza had trained as a nurse in Scotland, worked as a model in London and even appeared in a James Bond film.
“I was tall and decided to take up modeling at the London Academy,” she recalls. Soon after, she found herself traveling to Europe for assignments.
Her modeling work soon caught the attention of film producers and her career took a critical turn. She became an actress, working with Hollywood legend Roger Moore in the 1973 Bond film Live And Let Live (in which she plays a saleswoman).
Chaza later married John Indi, a film producer and actor, who has played a part in films Mandela (1987) and A Far Off Place (1993). In 1981, the couple decided to return to Zimbabwe.
It was not a bad decision as soon, Chaza established a hair salon at Machipisa, a teeming shopping center in the bustling suburb of Highfield in Harare.
“That is when I discovered there were no cosmetics that catered for black people, especially women. There was a huge demand for cosmetics for black women, [but] none were available,” says Chaza.
Noticing a gap in the market, she grabbed the opportunity and established an eponymous beauty business.
“At first it was not easy as some people felt that the name Kubi was not marketable for cosmetic products,” recalls Chaza.
Despite the discouraging remarks, she was determined and soon was able to build the House of Kubi into a renowned brand.
With a factory in the industrial area of Msasa, Harare, the House of Kubi produces popular products to redefine the beauty of the African woman.
However, like most companies in Zimbabwe, Kubi was not spared by the economic downturn. The operating environment for most companies has made profit margins smaller and recapitalization has become a major challenge.
The House of Kubi has been affected by the influx of cheaper products in the market. Most of these cosmetics are skin lighteners, harmful to the user and sold illegally on the black market.
To cushion her brand from this harsh environment, Chaza has now expanded her business to South Africa, where the cosmetics are manufactured and distributed.
Despite her busy schedule, she is also the patron of the Our Children Our Future Trust (OCOFT), an organization that assists children whose parents are serving time in prison. Through Chaza, OCOFT is planning to establish a center where these children are trained various life skills whilst their parents also benefit from the program once released from prison.
Chaza and her husband now spend most of their time traveling between Zimbabwe and South Africa.
The enterprising businesswoman continues to have a lot of passion for the film industry; she is a member of the Women Filmmakers of Zimbabwe.
It’s not time yet for Chaza to say
‘The End’.

Kubi-Edited-3

Beauty & the Bond

Indian theatre personality and Bollywood actress Lillete Dubey borrows a hat from a 17-year-old spectator. We are inside Johannesburg’s red velvet-upholstered Auto &amp; General Theatre On The Square, and this is an hour before the staging of 9 Parts Of Desire, a play directed by Dubey starring her 30-year-old daughter Ira.
“I woke at 5AM, have had a long day and must be looking a mess, maybe the hat will compensate,” says Dubey, before the photo session. She needn’t have bothered. At 60, she is slim, svelte and spunky, despite the “old rehearsal T-shirt” and sherpa boots she is wearing.
The hat is perhaps symbolic of the many she wears every day. Mother, wife, actor, director and recently, Richard Gere’s co-star in the sequel to 2011’s Judi Dench and Bill Nighy-starrer The Best Exotic Marigold Hotel that will release worldwide in February.
Snacking on a cheese-tomato sandwich, and between mouthfuls, Dubey’s glowing description of her handsome co-star is predictable: “He’s paired opposite me romantically and chases me in the film. Richard Gere is such a lovely, warm, charming, affectionate guy.”
Her first meeting with Gere though was anything but predictable.
“I had just thrown up after a bad reaction to something I had eaten. So when I was introduced to him, and he prepared to hug me, I said ‘please don’t come near me, I have just puked’. And he said ‘I have had a number of reactions from women, but this is a first’.”
Dubey had visited Johannesburg three years ago, as director of the long-running off-Broadway hit Dance Like A Man. The play has just completed its 505th show globally. Despite starring in 40 films in Bollywood and internationally, theatre remains her first love.
“Theatre is a jealous mistress, it leaves me with little time for anything else,” says the Mumbai-based Dubey, who is currently working on six stage productions. She had “stumbled into” Bollywood after 20 years of theatre, and is instantly recognizable in India’s thriving film industry.
Film credits include Shyam Benegal’s Zubeidaa, Mira Nair’s Monsoon Wedding and notable blockbusters with Bollywood royalty Amitabh Bachchan and Shah Rukh Khan.
9 Parts Of Desire, written by American-Iraqi playwright Heather Raffo, details the lives of nine Iraqi women between the first and second Gulf Wars. Dubey’s daughter Ira is outstanding essaying all nine women.
“It’s a serious play, has some humor, but is hard-hitting,” says Dubey, ecstatic about the response she received in Durban. The play was staged in South Africa as part of Shared History 2014: The Indian Experience in South Africa, in early September.
She regrets her trip to the country is brief. On her wish-list is a visit to the Fugard Theatre in Cape Town. But she’s not sure if she can make it.
“South Africa is steeped in music, dance and theatre. I wish I had the time to experience some more of that.”
Dubey is also thrilled about her newest film, Dr Cabbie, a Canadian production that has just released. “Yet, my heart is in theatre,” she says, before blowing our way kisses and disappearing back-stage to a realm that she calls her own.

FWA-2014-Oct-Nov-096-Lillete-Dubey-001

Tipping Her Hat To Theatre

Thanks to Gravity, Sandra Bullock earned more than any other actress this year. On paper, the movie Gravity seemed like a crazy risk. The effects-heavy movie cost upward of $100 million to produce and instead of comic book heroes duking it out, the film featured one woman floating in space for the entire 90-minute running time.
Despite the odds, Gravity turned out to be one of the highest-grossing movies of 2013 bringing in $716 million at the global box office. The film was the rare commercial and critical success. Gravity earned 10 Oscar nominations and won seven gold statues.
Bullock didn’t win for Best Actress this year (though she did in 2010 for The Blind Side) but she did walk away with a ton of money. Thanks mostly to Gravity, Bullock tops our 2014 list of the highest-earnings actress with an estimated $51 million between June 2013 and June 2014.
Despite Bullock’s impressive showing, women are still earning less than men in Hollywood. Our 10 top earning actors brought in a combined $419 million during our time frame while the top 10 actresses brought in just a little over half of that — $226 million.
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Hopefully the women on our list can start to change that as female-led blockbusters bring in just as much money as action films starring men.
The fact that The Hunger Games franchise stars a woman hasn’t stopped fans from spending millions of dollars on the movies. Star Jennifer Lawrence earned less than $1 million upfront for the first movie. Now she’s in a position to demand top dollar for future Hunger Games movies as well as a share of the backend.
We estimate Lawrence earned $34 million between June 2013 and June 2014 ranking her second on our earnings list. Lawrence ranked 12th overall on our Celebrity 100 list which measures a mix of earnings and fame.
To come up with our earnings estimates, we talked to agents, producers, lawyers and other in-the-know folks to figure out how much each celebrity earned from entertainment-related work during our 12-month time period. We didn’t deduct for taxes, agent fees or the other costs of being a celebrity.
Ranking third on our list is Jennifer Aniston with $31 million. Thanks to Friends and her endorsement work for products like Aveeno, Aniston can be choosy about her film projects. Lately she’s focused on smaller-budgeted comedies like We’re The Millers and Horrible Bosses. Aniston is usually willing to cut her upfront pay for these movies in return for a chunk of the profits. It’s a strategy that’s paying off. Aniston should continue her streak with Horrible Bosses 2, scheduled to hit theaters in November.
With an estimated $19 million in earnings, Gwyneth Paltrow ranks fourth on our earnings list. Though she doesn’t come close to earning Robert Downey Jr. money, the star’s work in Iron Man 3 helped land her high on our list. Paltrow also earns big endorsing Max Factor makeup and Hugo Boss.
Last year’s top earning actress, Angelina Jolie, ties for fifth place on our list with Cameron Diaz. Each actress earned an estimated $18 million last year. In 2013, Jolie earned an estimated $33 million. She earned less for our latest list because we had credited her with her large upfront payment for Maleficent last year. She’ll earn more next year thanks to her profit participation on the Disney film which has earned more than $700 million at the box office so far. She’s also well positioned for some kind of Oscar love. Unbroken, which Jolie directed, hits theaters this Christmas.

Sandra Bullock Tops Forbes’ List Of Highest Earning Actresses With $51 million

A Creative Power

And the Oscar for best supporting actress goes to…”
The camera panned across five nervous nominees: Jennifer Lawrence for American Hustle; June Squibb for Nebraska; Julia Roberts for August: Osage County, Sally Hawkins for Blue Jasmine and newcomer, Lupita Nyong’o for 12 Years a Slave.
Last year’s best supporting actor, Christoph Waltz, was on stage at Dolby Theatre in Los Angeles at Hollywood’s night of the year – the 86th Academy Awards.
Lawrence was also a favorite for her role of Rosalyn Rosenfeld in American Hustle, but it was not to be. In a blaze of emotion, up stepped a daughter of Kenya. It was March 2, 75 years after Hattie McDaniel became the first black person to win an Academy Award for her role in Gone With The Wind. In more than seven decades, a mere seven black women have won in either the Best Actress or Best Supporting Actress categories; and only three hailed from Africa.
“Lupita Nyong’o is already an African icon, not just for what she has achieved with her remarkable win at the Academy Awards, but more importantly for what she has almost overnight come to symbolize, the undeniable truth that African women are increasingly charting their own course,” says Biola Alabi, Managing Director of M-Net in Africa.
“Here is a beautiful black woman, comfortable in her own skin, clearly highly educated, who can champion the next generation of African talent; she is a blessing to Kenya and the continent and long may she prosper. From where I sit, it is an absolute truth that the lead performances were Kenyan and Nigerian – I know its trendy to call Chiwetel Ejiofor black British but he is an Ibo boy and we claim him. However, perhaps African countries can begin to understand and appreciate the nobility of the higher arts of song, dance, theater and film and invest and support them… I would have loved to see her shout out Kenya and say something in Swahili but, hey, you can’t have it all,” says entrepreneur Obi Asika, the Chairman of Social Media Week Lagos.
What a difference six months makes. Back then, 31-year-old Nyong’o was a struggling unknown in Hollywood who lived lean and carried her own clothes.
The role that was to change her life, cast her alongside London-born Nigerian, Ejiofor, in a film based on the 1853 memoir by Solomon Northup – the tale of a free man kidnapped into slavery.
Steve McQueen cast Nyong’o three weeks before she graduated from Yale School of Drama, after a chance audition in New York. Her manager had the script ready for another client, but when Nyong’o was asked to read, McQueen was keen on her playing Patsey. It went to a second audition with the casting director.
“It was a one-hour, very grueling audition. Then I was shortlisted and invited to Louisiana to audition with Steve about two weeks later. So it was three auditions in three different states,” she says.
Filled with excitement she phoned her father, Peter Anyang’ Nyong’o, a professor back in Nairobi, to tell him the news that she was going to be in a film with Brad Pitt.
“My father said he had never heard of him, but he was glad I had finally got a job,” says Nyong’o.
It has been a long and winding journey that began in the gentle world of amateur dramatics. It was with the Pheonix Players in Nairobi that Nyong’o took her first tender steps in Shakespeare.
Drama teacher, Ian Mbugua, who ran the Phoenix Players for 19 years, remembers it well.
“Lupita first came to us as a student from Rusinga School. She was brought by her father Professor Anyang’ Nyong’o who had obviously seen her talent. Nyongo and his wife Dorothy were very supportive of the theater and used to bring young Lupita to productions. He left her in the capable hands of James Falkland who put her as Juliet alongside George Mumbai, who played Romeo,” says Mbugua.
“Needless to say she gave a sterling performance… I was very impressed by her parent’s support. At a time when parents wanted their kids to study medicine, law, engineering, the Nyongos supported her dream to be an actress. She always approached rehearsals and performances with the seriousness they deserved. She was very eloquent and had wonderful stage presence. She was a passionate actress. Off-stage she had a great sense of humor and was always quick to laugh.”
“We remember how brilliantly she played Juliet in Romeo and Juliet at the Phoenix Theatre, at the age of 14 years; how she cracked our ribs during St. Mary’s School plays, or at the British High Commission, when as a teenager, she played Natalya in Anton Chekhov’s The Proposal,” says her mother, Dorothy Nyong’o.
Nyong’o emigrated to the United States 10 years ago, where she earned a degree in film and theater studies from Hampshire College. In her summer break, she headed back to Africa where she worked on the production crew of Mira Nair’s The Namesake. In another Nairobi summer, she served as a production assistant on the set of The Constant Gardener starring Ralph Fiennes.
“Ralph Fiennes was a pivotal influence on me,” she told the New York Post. “He asked me, ‘So what is it you want to do?’ I very shyly, timidly admitted I wanted to be an actor. He sighed, and said, ‘Lupita, only be an actor if you feel there is nothing else in the world you want to do – only do it if you feel you cannot live without acting.’”
The second of six children, Nyong’o was born in Mexico City, where her father, a politician in Kenya, had fled to following the disappearance of his brother in difficult political times. The Nyong’o family hails from the Luo people in western Kenya, like Barack Obama’s father. When Nyong’o was less than a year old, her parents moved back to Kenya, where her father is now a senator representing Kisumu County; her mother is the managing director of the Africa Cancer Foundation. Her parents sent her back to Mexico, at the age of 16, to learn Spanish.
Fast forward to the Oscars, Nyong’o, who sports short kinky hair and a pale blue Prada dress, a color she says reminds her of Nairobi, picked up the award for one of the great moments in movie history. The moment when the sadistic cotton plantation owner Edwin Epps, played by Michael Fassbender, whips Patsey near to death; when it becomes unbearable, he forces her friend Solomon to take over.
“It doesn’t escape me for one moment that so much joy in my life is thanks to so much pain in someone else’s, and so I want to salute the spirit of Patsey for her guidance,” says a tearful Nyong’o on Oscar night.
What is next for Kenya’s first Oscar winner? Her next role is in a thriller set on an international flight, with Liam Neeson, that opened in February. It is likely to sell well in Nairobi where a whole new generation of young Kenyan actresses are learning their lines for the amateur stage with one eye on Lupita and the other on the future.

Lupitamania!

It was a beginning dogged by poverty, but inspired by dreams. Actress Terry Pheto’s family was too poor to own a television set and she grew up paying 10 cents a day to sit on the floor to watch TV with her neighbors. Now, she sits in Hollywood and makes a fortune from appearing onscreen in the soap opera, The Bold and the Beautiful.
So was it by sheer luck that Pheto was chosen in a country full of accomplished and perhaps more experienced actresses? Vukile Madlala, the publicity manager at the South African Broadcasting Corporation’s SABC1, explains how it all started: “Since we are the channel that carries The Bold and the Beautiful as one of our longest-running soapies, the producers of the soap came down with a handful of their actors for a South African tour. It was during that trip that they discussed with us the possibility of developing an African character. They asked us to nominate a few actresses, and Terry Pheto was one of the actresses we put forward.”
It would seem that this move by the American producers was a calculated one. Madlala points out that The Bold and the Beautiful is still among the top five rated shows on SABC1. Simply put, viewers are still hooked—even after many years of watching the storyline unfold.
A look at general viewership trends reveals that while the craze over reality television is crushing the soap opera in the US, Africans are still tuning in—and in large numbers, compensating for the loss of viewers and income on home turf.
All of these factors have conspired to take a woman from Boipatong in the Vaal Triangle, near Johannesburg, to Hollywood. It has been a long journey.
Pheto has certainly come a long way from being the child whose family didn’t own a television. She had to drop out of college during the second year of an IT diploma, because there was no money for tuition, and joined a community theatre group.
It was a long apprenticeship that bore fruit in 2008. She found fame after being cast in the 2006 Best Foreign Film, the South African Oscar-winning movie, Tsotsi. Then, Pheto was selected as the face of international cosmetic giant L’Oréal Paris, following in the footsteps of Jane Fonda, Halle Berry, Beyoncé Knowles, Freida Pinto and Cheryl Cole.
Now, Pheto is playing the role of Dr Malaika Maponya in The Bold and the Beautiful.
“It was amazing playing a South African on one of the world’s most famous American soaps,” she says. “I didn’t have to learn a new accent, I didn’t have to venture too much into the unknown—all I had to do was make sure I knew my lines by the time I arrived on set because the level of professionalism there is unlike anything I have ever seen before.
“The production is like an incredibly well-oiled machine that runs with amazing precision. There’s simply no room for error or tardiness. You get only one take, and there is an expectation that you must get it right the first time,” she explains.
With the type of opportunities that she’s had at her disposal so far, Pheto would most certainly be forgiven for packing her bags and relocating to the United States permanently in pursuit of her own Charlize Theron fantasy tale. She already travels back and forth for classes and workshops. She has great connections and relationships with the South African community making it big in Hollywood—the likes of Gavin Hood, creator and director of Tsotsi, the very same guy who took a great gamble by putting Pheto and a few other community theatre actors in front of the camera for the first time.
But as I engage her on her current and future plans, it is pretty clear that the African continent features front and centre in her plans.
Growing her resumé as an actress is also top of mind for Pheto. She has recently been one of the main stars in a local movie called How to Steal R2 million, where she played the character of Olive—a feisty township girl who will do whatever it takes, even crime, to survive.
“I am currently reading scripts and attending castings. In our local film industry, you are lucky to do two movies a year. So I am constantly in search of my next big movie project,” says the lady whose portfolio includes roles in movies such as Catch a Fire and Goodbye Bafana, in which she played Zindzi Mandela.
Pheto also has ambitions of making it behind the camera. “A while ago, I got awarded a scholarship to study filmmaking and directing at the New York Film academy. And as soon as I can identify a gap in my schedule, I will be enrolling in that course,” she says.
She would love to collaborate with the stars and directors in Nollywood, the highly successful Nigerian movie circuit. “I admire how the Nigerians delight in their own culture and how they love telling their own stories. With the kind of viewership numbers they attract, and our sense of quality in production as South Africans, we can do really big things together,” she says with a smile.

Tag: Actress

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