Many are mesmerized by the flickering night sky that makes Earth minute in comparison. A few may recognize Venus, the morning star, and one or two other planets, but almost all are overcome by acatalepsy – the inability to fully comprehend – when it comes to the vastness of the universe. Perhaps this is why the unknown that confounds us, and simultaneously fascinates, is often accompanied by a deep-seated desire to unfurl mysteries.
Tanja Sund juggles three South African fitness publications, her two-and-a-half-year-old daughter Sienna, the planets, stars and the galaxy’s wonders all in a day’s – and night’s – work. Granted, it is an unusual combination, but this entrepreneur has modelled her business to allow her to work half-days so that she can pursue her passions.
The Astrophotographer As An Entrepreneur
Sund studied graphic design and animation at art school in Johannesburg. She ran her own design firm and did a lot of freelance agency work, before she met her fitness trainer, who would later become her husband and today is a close friend and business partner.
“Business made a lot of sense to me, so we decided that we wanted to work together and there wasn’t a publication in SA for that niche… So the natural progression was because of my business sense and his passion for it, we were able to pull the magazine titles together.”
It would not have been possible without the sacrifice of their weekends, holidays, social lives, and many a sunset and sunrise at the office. But it paid off.
“Because I am a business owner it’s not just a position [that of editor] I will give to someone. I don’t think I’ll find someone who will look after it the way that I do. The whole team has control over the magazine but my function is business management because we have three titles now and we do merchandizing,” says Sund.
Being an entrepreneur has allowed her to free up her time and choose her lifestyle.
“I started hiring the right people for my team and now I have set up a team that is pretty much independent of me, so I can be a complete mom in the afternoons and I can do my own things at night and I have the freedom to travel.”
Sund attributes her business prowess to The 4-hour Work Week by Tim Ferriss.
“A lot of people do the normal 8-5 and get stuck in traffic for two hours a day and they don’t do the things they love, they do things because they have to get them done, but the thing is it’s all about the mindset,” she says.
The business owner and fitness fanatic shines when she compares life to a gym workout.
“It’s like gym, with anything in life, you don’t find the time, you make the time. You’re not going to get stuff served on a platter and everyone is going to dream ‘Oh, this would be so nice,’ well work for it, the only person who is going to give it to you, is you.”
She finds herself applying many of the skills she utilizes in publishing to her astrophotography.
“It’s a very deep rabbit hole but start somewhere and as soon as you get involved and see the possibilities, it opens up a whole new world. I like technical challenges and that’s why this mergers passion with the intellectual side of problem solving, astronomy and art,” says Sund.
The Entrepreneur As An Astrophotographer
“It started with my dad, we borrowed a Dobsonian telescope from a friend of his. It didn’t even have a stand, so we used to rest it on our braai [barbeque]. I remember many cold winter nights… With Haley’s comment, he woke me up in the middle of the night and carried me out of bed,” says Sund.
An early childhood fascination in astronomy led to hours of watching Yoda and peering, with one eye shut and draped in blankets, through telescopes.
“I was a Star Wars fan, growing up I watched it repeatedly. Just the whole concept of interstellar travel and other galaxies, life and adventure [intrigued me].”
Astrotanja – as she is known in the online astrophotography community to fellow purveyors of the night sky – bought her first telescope, a Bushnell reflector sonutonian 3-inch, in 2007. Since then, her evenings, weekends and vacations are planned around the heavens. She has already photographed deep space from Africa, North America and Europe, and in late 2013 traveled to Iceland to photograph the Northern Lights. Astrophotography became her “professional hobby”, as she calls it, in early 2012.
“I know of three other female [astrophotographers in the world]. I’m sure there are more females out there but they are not very active online,” she says.
She is yet to meet, even virtually, another female, African astrophotographer. They seem to be as rare as alien sightings, which is one of the most common questions she is asked.
“I believe that there is life elsewhere, I don’t know if it’s intelligent life but honestly if I was an alien, I wouldn’t want to come to earth, I don’t think our civilization is advanced enough. Being of a superior intelligence, being able to travel through space, they should know that if they reveal themselves to us there will be anarchy. Just leave Earth alone. But I definitely think that there is other microbial and non-intelligent life out there, the universe is just too big. If you think about evolution or the age of man, we’ve only been here for such a short time of Earth’s lifespan, dinosaurs have come and gone, so exactly the same may have happened elsewhere, where there may have been intelligent life that may have been destroyed. I think it’s very narrow-minded to think that we’re the only living creatures, look at how many billions of stars are in our galaxy and then there are billions of galaxies out there. We’re not that unique.”
The curious often ask her if she has managed to photograph a UFO.
“I’ve seen one weird thing but I’m not sure if it was a UFO. I have to think about this intelligently. I’m sure it was Chinese lanterns but it was like the three-point that a lot of people describe and they move together. I ran into my home to get my camera but then they weren’t there anymore,” she says.
Aliens or no aliens, Sund’s greatest love is deep sky photography because it is all about the editing technique and stacking principle. She has learnt to see the potential of a photograph in its pixels, long before she has edited or stacked it. Sund prefers deep sky photography to star trails – those long-exposure photographs that illustrate the apparent movement of the stars, which is actually due to the Earth’s rotation – as it is more challenging.
Her best advice to aspiring astrophotographers is: “As with anything, if you’re passionate about it, if you’re persistent and you just educate yourself, and the education is out there, [you can do it]. Everything I do in my life is like that: I let my passion drive me.”
But astrophotography will never be her full-time job because, in her opinion, relying on it financially will kill the passion. Sund has already presented workshops at Africa’s biggest photography expo that is held annually in Johannesburg, but that is as far as it goes.
“I’m not interested in that because financially I make more money with my publication, so why would I work hard to free up my time only to fill it in?”
By using her background in publishing, she hopes to write a beginner’s guidebook to astrophotography and sell her photographs through an online gallery.
While her head may be in the stars, this entrepreneur’s feet are firmly on the ground.
TikTok Launches $200 Million Fund To Finance Up-And-Coming Stars
TikTok will begin financing emerging creators on its short-form video platform with a $200 million fund that it announced today, an unusual move by a social media company and one that comes after several weeks of concerns about TikTok’s future.
The company, which is owned by China-based ByteDance, didn’t provide many specific details about how it will give out that money or who may qualify for it. It may be directed toward users from minority groups—with the press release about the fund’s debut singling out creators like Boman Martinez-Reid, a LGBTQ comedian who has signed with CAA, and Tabitha Brown, who’s become famous for her videos about family life and veganism.
TikTok is in a multi-front battle right now. The Trump Administration is considering banning the app over concerns it may share data with the Chinese government, and the users who flocked to TikTok over the past year have been exploring other platforms for their content. In the past few weeks, TikTokers have posted videos urging their fans to also follower them on apps like Instagram, while others have turned to rival music-and-video apps such as Dubsmash and Byte to produce work.
The best way to keep them on TikTok is to offer a clear path toward earning money. Instagram and other social platforms have struggled to do that, and YouTube’s ad-sharing scheme—based on the views generated by someone’s videos—remains the quickest and simplest monetization for influencers. Companies such as Chipotle and E.L.F. cosmetics are already paying for sponsored content on TikTok, where influencers post videos advertising these companies for a fee, as much as six figures now for the top stars. But those deals are typically hashed out between the brands and the influencers without the social media companies getting involved.
TikTok’s $200 million fund is a different step, something neither Instagram nor YouTube have done. It theoretically would allow more creators to flourish as they start out and begin searching for commercial work, such as the sponsored content posts.
The Billionaire’s Startup
The world is awash in streaming services, and Meg Whitman already had her fortune — but then Jeffrey Katzenberg came calling with a mobile-focused startup. With nearly $1.8 billion raised and America on lockdown, consumers may have no choice but to try Quibi.
Minutes after Meg Whitman announced she was stepping down as CEO of Hewlett Packard Enterprise in November 2017, her phone rang. It was Jeffrey Katzenberg, whom she has known since they both worked for Disney in the late 1980s and early 1990s — Whitman was in strategic planning; Katzenberg ran the film studio. ‘What are you doing?’ ” Whitman remembers her friend asking. “I don’t know,” she replied.
“I’m the chairman of Teach for America. I’ll probably do stuff with my husband and travel.” She continues: “He goes, ‘No. What are you doing tonight?’ And I said, ‘Knowing you, Jeffrey, I’m having dinner with you.’ ”
Katzenberg flew to Silicon Valley and, over dinner at Nobu in Palo Alto, pitched his idea for bringing high-caliber entertainment to mobile phones. For Whitman, the idea checked all her boxes: The potential market for the service was huge, prevailing trends were right and it occupied a unique niche.
“I ultimately said, ‘You know what? I think I have another startup in me,’ ” says Whitman, 63, who first got rich (she’s worth $3.3 billion) working with another visionary founder, Pierre Omidyar. She helped build eBay from 30 employees and $4 million in revenue when she joined in 1998 to more than 15,000 employees and $8 billion in revenue when she left a decade later.
“We’re pioneering into a space that only exists because of two things: YouTube, and Steve Jobs and the iPhone,” Katzenberg says. “Those two things have now created a new piece of real estate, and that real estate is 7 in the morning until 7 at night… That’s the thing that’s exciting to me.”
Two years after that dinner, Quibi (an awkward portmanteau of quick and bites) is poised to launch its mobile streaming service offering original movies, reality TV, comedies and news edited into bite sized nuggets of 10 minutes or less, optimized for viewing on phones.
Many in Hollywood think it’s a terrible idea. At a time when viewers are awash in entertainment options, many of them free, who is going to pay for another? “If I’m going to watch Game of Thrones in eight-minute chunks, what’s the difference between what he’s doing and me hitting the pause button?” scoffs one powerful Hollywood insider, who requested anonymity because his clients sell shows to Quibi. Barry Diller, perhaps the greatest Hollywood visionary of his generation, recently called Quibi a “gutsy speculation” for his former protégé (Katzenberg, 69, worked for Diller at Paramount in the ’70s). “He’s so naked out there with this.”
It’s not a new idea. Back in 1999, Katzenberg tried something similar with Pop.com, which was supposed to deliver short animated and live-action films across the internet. With the technology for viable video streaming still in its infancy, it was an uncertain notion at best. Despite being backed by Steven Spielberg, David Geffen, Brian Grazer, Ron Howard and Paul Allen, Pop.com was dead within a year.
This time around, Katzenberg raised enough money to play it out, including $1 billion in August 2018 from the likes of Alibaba, Disney and Sony. It fortuitously wrapped up a $750 million follow-on round in March, just days before the coronavirus froze the country. “I’ve never seen an environment change this fast,” Whitman says. “Every day is a new day, with new data and new concerns.” Luckily, Kevin Hart and Jennifer Lopez already finished work on their shows, and Spielberg has a movie in the works, attracted by a “cash plus” deal that lets them retain rights to their material. After two years, they can stitch together their “quick bites” and release them as a full-length movie.
Inadvertently, America’s lockdown might have created the perfect moment for Quibi. Nielsen projects media viewing will spike by as much as 60% due to COVID-19. People will certainly know it’s available: Quibi is spending a gargantuan $400 million to promote its new service and in mid-March announced that it will offer the service free for three months.
“This is a moment in time in which we have a chance to do something that is putting some happiness and some joy and some fun and some laughter into people’s hands,” Katzenberg says.
Quibi also has the advantage of being loaded with fresh content just as the production of all new shows and movies has been stilled by the pandemic. Quibi has been stockpiling programming since last September in anticipation of a possible writer’s strike, fearing a replay of 2008, when a union walkout halted new production for 100 days.
The service debuts on April 6 with 50 original shows, including movies offered in cliff-hanger chapters such as the thriller Survive, starring Sophie Turner (Game of Thrones) and Corey Hawkins (BlacKkKlansman); 120 reality shows and documentaries; plus news, weather and sports. In all, Quibi promises to deliver 8,500 quick bites from 175 shows in its first year.
But the $1.8 billion question remains: Will anyone pay to watch them? Some Hollywood players are adopting a “DBA Jeffrey” — Don’t Bet Against Jeffrey — attitude.
“Jeffrey has only taken a couple of big swings in his life, and he’s hit it out of the park,” says a senior executive at one of Hollywood’s major talent agencies. “If you had blindly bet on Jeffrey Katzenberg for the past 30 years, you’d have made a lot of money.”
– Dawn Chmielewski
‘WFH’ here to stay?
The home will be hub and flexible working the norm. The result? Renewed employee trust, wellness and cost savings, say more companies.
Even the words out-of-the-box seem out of date at a time when shipping containers are turning into ICU hospitals and arms firms are making ventilators and personal protective equipment.
If technology is being repurposed, so too homes and humans.
Over the last few months the world over, the pandemic-induced ‘new normal’ has seen homes turning into head offices, with the volatile economy forcing businesses to rethink long-term strategies in a work from home (WFH) environment that looks here to stay.
Even the big corporates say this could extend post-pandemic.
Barclays CEO Jes Staley said its staff will not revert fully to its pre-January work habits. “There will be a long-term adjustment in how we think about our location strategy; the notion of putting 7,000 people in a building may be a thing of the past,” he said after the company reported its first quarter profits for 2020.
Internet giant Google said all staff are expected to work from home until 2021, according to a May 2020 report in Bloomberg. S,imilarly, Facebook will let staff work remotely through 2020. Twitter, on the other hand, announced a short while later it would let staff work from home “forever”.
Euromonitor International’s Global Consumer Trends 2020 report has highlighted areas that Covid-19 will have an impact for the year ahead. Some of these include multi-functional homes where, in the long-term, the home becomes the hub and businesses will adapt accordingly; private personalization, which will put privacy concerns on hold in the short term but will return in the long term; and inclusivity for all would see disabled communities benefitting from technology.
In South Africa, the government has stipulated five levels of lockdown dictating how businesses may be carried out, including which sectors can operate as levels change. This requires flexibility and being able to adapt from one week to the other.
Jordan Rittenberry, Edelman Africa CEO, says the company’s transition towards more flexible working policies has been sped up by the Covid-19 pandemic, and the process has been a success with renewed trust in employees.
“We believe that flexibility, particularly in the current environment, is a useful way for companies to treat their staff right and foster mutual trust,” he tells FORBES AFRICA. “The pandemic has required a rapid mind-set change as companies take on new responsibilities towards the people that work for them and employee wellness is the first port of call as we navigate these uncharted waters.
“Every crisis presents opportunities and new ways of doing things. The shift we are seeing now is one of those that could help to meaningfully improve employer-employee relationships if managed carefully.
“As more people work from home, we will naturally require less space over time and this will yield cost savings to the business that can be passed on to clients.
“Besides employee costs, real estate is our biggest expense,” he says. Pieter Bensch, Executive Vice President at Sage Middle East and Africa, has come to a similar conclusion. “We realized that we do not need as much office space going forward and working remotely using cloud technology tools has maintained productivity levels from our colleagues,” says Bensch to FORBES AFRICA.
“Our entire workforce began working remotely before lockdown and are in no rush to return until it is safe but have encouraged video calls so they can see each other.
“Our cloud accounting and payroll product sales have increased, which is a clear indication that our customers now understand the power and benefits of cloud solutions to maintain business continuity.”
The mental wellbeing of employees has also been top priority. “All Sage colleagues received a free subscription to Headspace, a brilliant award-winning app and guide to everyday mindfulness,” adds Bensch. The company also formed a ‘[email protected]’ community for staff looking for peer support on how to adapt with differing family needs and challenges.
A Johannesburg-based agency called BetterWork that specializes in design thinking for human resources has been hosting weekly lunchtime Zoom calls since the beginning of lockdown in South Africa. Attendees include a mix of its professional network, members of The GoodWork Society and other members of the general public. Some of its takeaways have proven that WFH is more productive than working in the office, which cited minimal distractions and the extra hours gained from not having to sit in traffic. Additionally, introverts seem to be thriving and tend to feel more comfortable with contributions to teamwork. On the other hand, BetterWork says parents on the call have expressed being overwhelmed with not just their own work but also the additional responsibility of being teacher-guides to their children.
The company believes the home-office is now the responsibility of the employer where people-focused services such as tele-therapy, support for parents and social programs become an additional duty to ensure a healthy, productive team. It adds that an obvious benefit would be the compensation or subsidizing of laptops, stable internet connectivity, webcams, etc.
Palesa Sibeko, Co-founder of BetterWork, says offices are typically expertly assessed and constructed to suit an organization’s work activity needs, but the same is not true for the millions of homes that are now acting as places of work. “There is not a concerted effort to view home-work life more holistically, to identify the needs and address them to create environments conducive to doing great work.” BetterWork says it is currently looking into how to support organizations on this important mission.
– Nafisa Akabor
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