His love for fashion and film led him to Senegal where he experienced art as an everyday lifestyle.
This young man from Kimberly in the Northern Cape Province of South Africa has cemented his name in front of and behind the camera and just as Midas would turn all things into gold, Trevor Stuurman turns all things African.
As a kid, Stuurman used to draw, then decided to explore photography, and further studied film.
In 2012, he was an Elle Style Reporter winner that launched his career in the fashion and photography world.
“That was my introduction into the publishing world,” Stuurman says in a phone conversation with me.
He has since gone on to show his work all over the world and over the years, been invited to photograph the best street style looks at Pitti Uomo (a trade event for menswear and men’s accessories) in Florence.
But no place in the world entices him quite the way Senegal does, he says. He visited the African country mid last year.
“I went to Senegal for the Dakar Fashion Week in June and I was able to connect with a lot of creatives and saw a lot of raw talent. I think being able to connect with talent and being able to create work and collaborate organically was one of the best experiences,” he says.
The first thing Stuurman noticed when he got to Senegal was how art is a part of their everyday life.
“When you go to Senegal, there is so much art around you that it becomes a lifestyle. Art is just a daily practice. It was beautiful to see it in an organic and an everyday fashion, where art is not overly thought out, where a painting is not to make a statement, but to just be a way of life. Art and dressing up is a daily practice.”
Stuurman visited Senegal for a week and recalls the French spoken around him; the Senegalese are far more receptive and warm, loving and giving of their time, he says.
“In terms of the fashion week, it was very interesting because of the format; it was one-of-a-kind. It has different venues and each day has a new narrative as opposed to the traditional fashion week. What I took from there is being able to celebrate each other’s differences as opposed to trying to find the commonality,” he recalls.
Stuurman is no stranger to celebrating differences and forging collaborations.
He has an honors degree in motion picture and live performance, and has co-directed a documentary Ubuhle Besintu on South African textile and knitwear designer Laduma Ngxokolo.
“The documentary was shot in 2013, and we were both still in Cape Town at the time. Trevor was a student then and he asked me to be a case study for his assignment,” remembers Ngxokolo.
“At the time, I used to often work alone in my work space. I was the jack of all trades in my company. I did everything from sales, to accounting and design, so it was very rare to have other people in my space,” Ngxokolo reflects. “I shared my journey and cultural outlook with him. I am Xhosa, so there are certain cultural practices he wasn’t aware of because he comes from a different background.”
Today, Stuurman works with record label Soulistic Music which has collaborated with globally-celebrated DJ Black Coffee.
The stable’s marketing manager, Neo Chabedi, who also manages Stuurman, tells FORBES AFRICA they have worked together for the past year.
“It’s been an eye-opening experience working with Trevor, it’s really just great to watch how creativity gets delivered and accepted through social media or a campaign he is working with, be it Absolut or being a photographer for Naomi Campbell. He is just an amazing, humble person,” Chabedi says.
Stuurman was also invited to speak at Oxford University on how he is reframing the African narrative, but that trip was not as memorable as Senegal.
Following his camera around the globe, Stuurman has also photographed former United States president Barack Obama at his ancestral home in Kenya.
For the 27-year-old lensman, the world is his everyday stage.
Bad Times For Billionaire Branson–Staff At Virgin Atlantic Asked To Take Unpaid Leave As Coronavirus Cripples Air Travel
Billionaire entrepreneur Sir Richard Branson has been criticized by a U.K. politician for airline Virgin Atlantic’s request on Monday for staff to take eight weeks unpaid leave during the coronavirus pandemic.
Labour MP Kate Osborne, the second U.K. politician to be diagnosed with coronavirus, described Virgin Atlantic’s decision as “an absolute disgrace” on Twitter.
Author Liam Young tweeted, “Virgin Atlantic have 8,500 employees and Branson has asked them to take 8 weeks unpaid leave. It would cost £4.2 million to pay all of these employees £500 a week to cover this leave. In total that’s a cost of £34 million for 8 weeks.”
The implication appears to be that billionaire Richard Branson, whose net worth Forbes estimates $3.8 billion, could afford to cover this cost.
Virgin Atlantic confirmed in a statement Monday that it plans to reduce its schedule and prioritize routes based on customer demand. The airline predicts an 80% reduction in flights per day, and adds, “As a direct consequence we will be parking approximately 75% of our fleet by 26 March and at points in April will go up to 85%.”
Virgin Atlantic describes the changes as “drastic measures” put in place to “ensure cash is preserved, costs are controlled, and the future of the airline is safeguarded.”
Adding, “Staff will be asked to take eight weeks unpaid leave over the next three months, with the cost spread over six months’ salary, to drastically reduce costs without job losses.” The airline confirms its decision has received the support of unions BALPA and UNITE in agreeing to the unpaid leave.
A Virgin Atlantic spokesperson said: “The aviation industry is facing unprecedented pressure. We are appealing to the [U.K] government for clear, decisive and unwavering support. Our industry needs emergency credit facilities to a value of £5-7.5 billion, to bolster confidence and to prevent credit card processors from withholding customer payments.”
Bad Times For Branson
Branson’s business empire has been hit particularly hard by the coronavirus pandemic.
On March 14 the Virgin Voyages cruise ship operation decided to postpone the launch of its new Scarlet Lady cruise line. “The current global health crisis is understandably making many people rethink upcoming travel plans,” Virgin Voyages confirmed in a statement.
On March 5, British airline Flybe — which is part owned by Virgin Atlantic— collapsed after it succumbed to its financial woes and weakened demand because of the Covid-19 outbreak.
Following the announcement of Flybe’s collapse, Virgin Atlantic said: “Sadly, despite the efforts of all involved to turn the airline around, not least the people of Flybe, the impact of Covid-19 on Flybe’s trading means that the consortium can no longer commit to continued financial support.”
Flybe, which once was Europe’s largest independent regional carrier, narrowly escaped collapse in January, after being bought by Cyrus Capital, Virgin Atlantic and Stobart last year.
Virgin Galactic, Branson’s publicly traded space tourism arm, has seen its shares slump since its mid February high of $37.26 on the NYSE. Having lost another 10% of value as of 4:30 pm U.K. time on Monday, Virgin Galactic is priced at $13.30 and falling. Branson’s Virgin Investment Limited owns 47% of Virgin Galactic through an investment entity, Vieco.
Emerging Economies, But Weaker Passports
Africa dominates the bottom of the rung in the 2020 Henley Passport Index. A majority of the continent’s passport-holders don’t have the luxury of visa-free travel around the world.
The African Union may be gearing for a common African passport, but for now, it seems like most African passports don’t have what it takes to get to other parts of the world.
In the recently-released Henley Passport Index, which measures all the world’s passports according to the number of destinations their holders can access without a prior visa, only two African countries –Seychelles and Mauritius — are in the top 50.
The rest of the continent dominates the bottom quarter of the rankings with weaker passports than most, pointing to difficult and intensive visa processes in most cases.
Africa’s biggest economy and one of its most influential, Nigeria, is at the end of the travel freedom spectrum, at a pitiful number 95 with Djibouti. Nigeria’s population of 200 million can only travel to 46 countries without obtaining a visa in advance.
Even passport-holders from Samoa and Serbia have a better chance of traveling to most places in the world, visa-free, than those in South Africa, the African continent’s second biggest economy.
Ranked 56, the number of global destinations South African passport-holders can travel to is 100.
It is followed by its southern African neighbor, Botswana, ranking at 62 with a score of 84.
Seychelles, the archipelago country in the Indian Ocean, is Africa’s top-ranking African passport in this regard, at 29 with access to 151 destinations worldwide.
It is quickly followed by Mauritius which is at 32 with a score of 146 destinations passport-holders of this country can visit.
The lowest-ranking African country is Somalia at 104. Passport-holders from this tiny nation in the Horn of Africa can only visit 32 countries without a pre-departure visa
Globally, Asia dominates the list. For the third consecutive year, Japan has secured the top spot on the index — which is based on exclusive data from the International Air Transport Association (IATA) — with a visa-free/visa-on-arrival score of 191. Singapore holds on to its second place position with a score of 190.
Executive Travel: Slikour’s Mexico
The South African hip-hop artist and entrepreneur experienced a hurricane and a seismic spiritual shift in the city of Cancun.
It has been a journey, a lot to learn and a lot learned,” says Siyabonga Metane, popularly known on South African hip-hop stages as ‘Slikour’.
The learnings have been in music and business, but the journeys have been beyond both.
Just two years post South Africa’s democratic elections in 1994, Slikour was part of a rap group named Skwatta Kamp, formed on the streets of the country’s Gauteng province, with the aim of commercializing the local hip-hop scene.
The group consisted of seven members and most of them went on to release solo albums. Slikour released two, Ventilation Mix Tape Vol.1 and 2, in 2005 and 2007. Long before that, in 2002, Slikour had turned entrepreneur, co-founding Buttabing Entertainment, a record label and artist management organization.
Today, he is also the founder of SlikourOnLife, a prominent urban culture online publication that he started in 2014 catering to music lovers.
Returning to the word ‘journey’, it especially sparks memories of a trip he undertook in 2011 to Cancun, a Mexican city on the Yucatán Peninsula bordering the Caribbean Sea, known for its beaches, resorts and nightlife. Slikour was there for a television shoot as part of a group. The trip still stands out in his mind.
He was not blown away by the city initially, but as he visited some of Cancun’s tourism attractions, he began to change his perception.
Ultimately, it proved to be what he calls an amazing rendezvous.
“The people were pretty much speaking Spanish,” he chuckles, recalling being immersed in the local culture.
READ MORE | Executive Travel: Mpho Popps’ Ghana
“There are a lot of laborers there and the people are beautiful and accommodating, but we never really spoke or interacted with the community.”
Slikour decided to savor the city’s famed nightlife instead and see for himself what all the hype was about.
It all began and ended with tequila, a distilled alcoholic drink and one of Mexico’s most famous exports, made of the blue agave plant from the city of Tequila in Mexico.
“Everything you do there is done with tequila. I don’t drink alcohol, but I had to accept and apply myself because there, they don’t use tomato sauce, they use tequila; I literally had to get into the tequila swag; it’s everything there. Tequila started there,” Slikour says.
Mexico is known for its recurring hurricanes too, which Slikour also got a taste of while there.
“After a few days of getting there, we were warned of a hurricane, and asked to close our doors and windows, and because these things happen regularly, there’s a drill to follow. The hurricane wasn’t a major one but I was excited because I wanted to see it. I had to look through the window,” he says.
The hurricanes are so frequent in Mexico that he likens the precautions taken to lighting a candle during South Africa’s frequent power cuts.
Despite this exhilarating encounter with nature, the real earth-shaking experience for him, however, happened deep inside a cave in the city of Cancun – and also deep inside him.
READ MORE | Executive Travel: Nomzamo Mbatha’s Kenya
“My spiritual [epiphany] was when I went into those caves. You go in there with your self-assurance, claiming you understand everything. Thereon, they tell you where everything comes from and all of a sudden, you become this very small thing in this big ecosystem. It just shows how everything affects everything,” Slikour says.
The tour guides explained how everything inside the cave came from rain, elaborating how it was connected to the core of the earth; which is where they were at the time.
Slikour was in Cancun for two weeks, and also visited the pyramids.
“The Mexicans didn’t have all the mathematics that we have now but the pyramids were built to perfection. It just showed you how forward-thinking they were and how behind we are in as much as we think we are forward; we just have technology. We don’t think the way historic societies used to think,” says Slikour, in deep reflection.
Mexico is a place he would return to, anyday, in a heartbeat.
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