<p>As Cape Town basked in the glory of being named the World Design Capital 2014, the words ‘design, creativity and innovation’ rang loud at this year’s Design Indaba held in the popular Western Cape city. The annual conference focused on how these elements can positively impact the world.</p>
<div id="attachment_6172" style="width: 210px" class="wp-caption alignleft"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-6172" class="size-medium wp-image-6172" src="/wp-content/uploads/2017/05/FWA-2014-Apr-May-060-063-FSH-Design-ind-001-200x300.jpg" alt="" width="200" height="300" /><p id="caption-attachment-6172" class="wp-caption-text">Shweta Wahi</p></div>
<p>It was an early March weekend of fun and discovery for the creatives, artists, designers, hipsters – and ordinary folks – who made their way to the Cape Town International Conference Centre (CTICC). There were 500 exhibitors, from Mikhela Hawker, who makes lampshades from recycled plastic bottles to others, such as Galago, which designs and tailor-makes leather sandals on the spot, in less than 15 minutes.</p>
<p>Part of the event was a three-day conference on creativity, which included talks by some of the world’s top entrepreneurs, creative minds and trendsetters, such as computer scientist Juliana Rotich from non-profit tech company Ushahidi, Ivorian architect Issa Diabaté, and South African photographer David Goldblatt. Tickets sold out quickly and for those who could not attend, the conference was simultaneously broadcast across four South African cities.</p>
<div id="attachment_6160" style="width: 210px" class="wp-caption alignleft"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-6160" class="size-medium wp-image-6160" src="/wp-content/uploads/2017/05/FWA-2014-Apr-May-060-063-FSH-Design-ind-007-200x300.jpg" alt="" width="200" height="300" /><p id="caption-attachment-6160" class="wp-caption-text">Kathrin Kidger</p></div>
<p>The Design Indaba is a platform for exhibitors to showcase their products to consumers and industry buyers. Hearing the story behind the conceptualization, design and creation of a product directly from the people who make them, also helps drive sales.</p>
<p>One designer present at the event was Susan Slee, the owner of Maneki and creator of Mannetjie van Staal – meaning ‘little men of steel’ in Afrikaans. This former goldsmith and jewelry designer displayed an ethnic and animal-themed range of cutlery. Her fascination with the simplicity and quirkiness of children’s drawings led to the creation of the van Staal family. Her stainless steel cutlery range features six characters, each with a name and story. The range has since expanded to wood, carved by Zimbabwean artist Nathan Kenias.</p>
<div id="attachment_6167" style="width: 210px" class="wp-caption alignleft"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-6167" class="size-medium wp-image-6167" src="/wp-content/uploads/2017/05/FWA-2014-Apr-May-060-063-FSH-Design-ind-014-200x300.jpg" alt="" width="200" height="300" /><p id="caption-attachment-6167" class="wp-caption-text">Kathrin Kidger</p></div>
<p>Yet another participant was Palesa Litha, an emerging designer who studied music before moving on to jewelry design. Her 2014 range, manufactured at an incubator in Rustenburg in the North West province of South Africa, explores the parallels between music and design.</p>
<p>The showcased designers were required to have at least two years’ experience in retail and had to have attended various workshops throughout the year, encompassing everything from costing and retail management to media training. Ten of these designers will now  go on to be a part of the South African collective at international trade fairs in in 2014 and 2015.</p>
<p>The Cape Town Fashion Council (CTFC) booked a R1-million ($93,722) space – the largest at the expo – to showcase 40 emerging and established designers. The CTFC develops entrepreneurship among designers and wants to shift fashion away from being about aesthetics towards embracing a sustainable business model.</p>
<div id="attachment_6170" style="width: 210px" class="wp-caption alignleft"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-6170" class="size-medium wp-image-6170" src="/wp-content/uploads/2017/05/FWA-2014-Apr-May-060-063-FSH-Design-ind-018-200x300.jpg" alt="" width="200" height="300" /><p id="caption-attachment-6170" class="wp-caption-text">Shweta Wahi</p></div>
<p>Bryan Ramkilawan, Chief Executive Officer of the CTFC, is working on partnerships across Africa and wants to share intellectual property to get the local and African design industry to where it should be.</p>
<p>South African consumers are starting to pay more attention to local rather than international designs, says Ramkilawan. Three days of sales at the pop-up stores totaled R1.1 million ($103,116), this excluded buyer sales estimated at R2.5 million ($234,327). All the money from the sales went to the designers.</p>
<p>Whether it is fashion, décor, music or art, be sure to head to this year’s World Design Capital. In the words of Ramkilawan, “design is a way of life”.</p>
<p>What design means to them</p>
<h6>Shweta Wahi,</h6>
<h6>Fashion Designer</h6>
<p><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-6163" src="/wp-content/uploads/2017/05/FWA-2014-Apr-May-060-063-FSH-Design-ind-010-201x300.jpg" alt="" width="201" height="300" /></p>
<p>“Design to me, is all about exploring the creative tidbits from my childhood, what&#8217;s in front of me right now, the colors I see, the people I meet, the way a piece of fabric falls on the body, the way it feels &#8211; it’s a matter of perfecting how it feels and looks to express myself and tell my story.”</p>
<h6>David Tlale, Fashion Designer</h6>
<div id="attachment_6164" style="width: 310px" class="wp-caption alignleft"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-6164" class="size-medium wp-image-6164" src="/wp-content/uploads/2017/05/FWA-2014-Apr-May-060-063-FSH-Design-ind-011-300x214.jpg" alt="" width="300" height="214" /><p id="caption-attachment-6164" class="wp-caption-text">Fashion designer David Tlale at his Sandton store; Johannesburg, 1 November 2011 &#8211; Photo by Brett Eloff.</p></div>
<p>“Design means innovation, it means evolving, it means moving forward, it means how you reinterpret what has already been done.”</p>
<p>&nbsp;</p>
<h6>Jeanne van den Heever, Product Designer</h6>
<p><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-6166" src="/wp-content/uploads/2017/05/FWA-2014-Apr-May-060-063-FSH-Design-ind-013-201x300.jpg" alt="" width="201" height="300" /></p>
<p>“It means coming up with something creative, especially if you can add function to that in styling.”</p>
<h6>Palesa Litha, Designer</h6>
<p><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-6165" src="/wp-content/uploads/2017/05/FWA-2014-Apr-May-060-063-FSH-Design-ind-012-201x300.jpg" alt="" width="201" height="300" /></p>
<p>“It is a different way of thinking. It’s science, it’s philosophy and it’s a way of living.”</p>
<h6>Weaving Cultures</h6>
<h6>Elbé Coetsee brought rural appeal to urban folk at the Design Indaba</h6>
<p><img loading="lazy" decoding="async" class="size-medium wp-image-6162" src="/wp-content/uploads/2017/05/FWA-2014-Apr-May-060-063-FSH-Design-ind-009-201x300.jpg" alt="" width="201" height="300" /></p>
<p>In the late eighties, Elbé Coetsee and her husband moved to a game farm in rural Limpopo, South Africa. Based 15 kilometers from Botswana and 18 kilometers from Zimbabwe, Coetsee often encountered women who were looking for work even as their husbands toiled away on the roads and farms. Coetsee took up the role of mentor, teaching the women to weave, embroider, bead, make candles and paint. This provided a great platform to exchange cultures.</p>
<p>“It’s a wonderful experience to be able to learn from them and share some of my culture with them. I really think it’s about bridging gaps and having an understanding for another’s culture.”</p>
<p>Soon the orders came rolling in. In 1994, Coetsee registered the company under Mogalakwena Craft Art Development Foundation, named after one of the main rivers in Limpopo; Mogalakwena, meaning fierce crocodile.</p>
<p>Twenty years on, the company has grown to 20 employees who handcraft dainty table linen, placemats, table cloths, serviettes and scatter cushions, distributed and sold throughout South Africa. Although living rural comes with its challenges, such as being in remote areas away from the trappings of the city, not to mention traveling on dust roads, Coetsee says being surrounded and inspired by nature brings her a joy she cannot describe. Coetsee says the Design Indaba allowed her to showcase her work to an audience that would otherwise not have been able to see it. “It was our most successful Design Indaba,” she says.</p>
<h6>Micro-mini</h6>
<p><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-6161" src="/wp-content/uploads/2017/05/FWA-2014-Apr-May-060-063-FSH-Design-ind-008-300x201.jpg" alt="" width="300" height="201" /></p>
<p>The Design Indaba also got to the heart of objects, and how. The ‘color one’ installation for Mini, by Scholten &amp; Baijings from Amsterdam, dissected the design and composition of a Mini One car. The car manufacturer also displayed the Mini Connected system’s Dynamic Music function, a feature that adjusts the rhythm of music according to the drivers&#8217; driving style. The faster one drives, the louder the music. Attendees at the event could create their own remixes on the Mini dance floor, which was equipped with motion sensors.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>


Tag: World Design Capital

FORBES AFRICA SOCIAL MEDIA

Africa By Design