Review: Mandela My Life, Melbourne Museum.
What is the role of commemorative exhibitions that focus on the life of a single change agent I asked myself, as I viewed Melbourne Museum’s latest blockbuster, Mandela My Life: The Official Exhibition.
The result of an international collaboration between Museums Victoria, the Nelson Mandela Foundation and IEG exhibitions, the exhibition is billed as a major international event that “will commemorate, illuminate and most importantly share Nelson Mandela’s living legacy with the world” on the centenary of his birth.
At first glance I doubted that these aims could be achieved. The tone of the exhibition could be accused of being hagiographic, given the ostensible reason for the exhibition – to celebrate the centenary of Mandela’s birth – as well as its narrative structures, which blended Mandela’s own words with the editorializing of the Mandela Foundation. This lent support to the claim that this exhibition was the “official” version of how to interpret the meaning of Mandela’s life.
Organised chronologically, the exhibition follows Mandela’s life. It begins with his birth in the Transkei region of South Africa, where he was initiated into his tribe’s traditional cultural practices and knowledge systems and attended a mission school.
The exhibition then follows him as he decides to leave his homeland for Johannesburg, where his experiences under apartheid radicalized him, leading on towards his role as a leader in the African National Congress, and his eventual imprisonment. His resilience while in prison and his leadership of the new post-apartheid South Africa led him to become the revered figure he is today.
This simple chronological narrative is given emotive force by three elements that come into play.
The first of these is the sound of Mandela’s voice at key moments. These include his famous Rivonia Trial speech in which he stated that he was prepared to die for the anti-apartheid movement.
Others are his memories of his childhood in the Transkei, his reflections on his time in prison, and his speech when he was freed, where his conciliatory approach to ending apartheid set the tone for what was to follow. Mandela’s voice guides us through the exhibition, supported by a rich display of personal photographs, letters and personal objects carefully preserved by the Mandela Foundation.
These are then contrasted with the evidence of apartheid from material borrowed or reproduced from other collections and media organisations, which provides the second element. The role of these sources is to lend authority to the human rights claim that apartheid was an unjust system – they are the evidence of what goes wrong when equality between humans is not respected.
The third element is the visitor – a visitor who already knows the end of the story and believes in its righteousness. Mandela was on the right side of history.
None of this is wrong of course. But the desire to eulogize, as often appears to be the case in this exhibition, does not allow space for questions that might allow for a fuller explication of the nature of Mandela’s legacy and its relevance beyond South Africa.
For instance, the final gallery shows a series of 16 paintings by John Myer, retelling Mandela’s life story and giving body to South African’s pride in the achievements of this extraordinary man. This could have been the moment, however, when his legacy could have been broadened out and key themes explored and thus gone beyond the outpouring of grief on his death, captured by the 95 messages of condolence, one for each year of his life – available in the penultimate gallery via a table full of telephone handsets.
Beyond the obvious answer – he was a hero who fought apartheid and won – what is it that those fighting for human rights can learn? What are the difficult questions his activism raises for those fighting on behalf of the oppressed? And, finally, are there other contexts in which his life might have meaning?
In an Australian context, some of the answers were alluded to in the speeches on opening night, which pointed to the relevance of Mandela’s activism for Australians fighting for Indigenous rights. Such speeches go some way towards explaining why the Melbourne Museum, which is aligned with human rights museums and whose First Peoples Gallery is an eloquent articulation of the need for treaty, is host to this exhibition.
But I would also argue that Mandela’s life is relevant to all of us at this particular juncture in time – a time when we need to hang on to the hope that change is both necessary and possible and that the actions of ordinary, everyday people can bring it about. This is as true for situations of unequal power relations as for other complex problems, such as what to do about climate change.
Mandela was an extraordinary man – but he was also supported by many others, both within and outside South Africa, all of whom believed in the necessity of change. Mandela is important because we need to have figures who show us that hope, resilience and leadership is still possible when those values are valued by all of us.
The exhibition does not make these points itself – but perhaps it is enough that such points can be made by those who visit it and reflect upon it. Even so, I wish there was less emphasis on the authorized, official nature of the exhibition, which, for me, closed down the potential for some really interesting discussions on the nature of change and how to achieve it.
- Andrea Witcomb: Professor, Cultural Heritage and Museum Studies, Deakin University
- Mandela My Life is being exhibited at the Melbourne Museum until March 3 2019.
Coca Cola South Africa Improves SME Role In Value Chain
Coca Cola Beverages South Africa (CCBSA) launches an R20 million fund for small supplier development and procurement, annually, for the next five years.
This was announced by the Financial Director, Walter Leonhardt at Gallagher Convention Centre at the third annual Supplier Development Conference.
CCBS is the South African-based subsidiary of Coca-Cola Beverages Africa (CCBA).
Leonhardt said the purpose of this fund is to assist young upcoming black entrepreneurs in the Coca-Cola value chain.
“We are, today, launching the CCBSA supplier fund of access to funding. To address the issue of access to funding which most SMEs experience,” said Leonhardt.
This will enable the entrepreneurs’ procurement process to be easier.
“It is to help them buy equipment, fund working capital and to help them overcome something we have identified as a challenge for upcoming businesses, which is access to capital on quit lenient terms,” said Leonhardt.
Budding entrepreneurs can visit their website to find out how they can access the funds.
There were over 120 suppliers of CCBSA in attendance.
Managing director of CCBSA Velaphi Ratshefola said they spent R2.35 billion last year, supporting 567 black-owned suppliers, of whom, 265 were black female owned suppliers.
“So for me, it is clear that this is working. We have helped create a very inclusive economy. We need to play our part and we need to ensure that only through an inclusive growing economy we can create a stable environment where businesses can flourish.
“If we do not have a stable environment, a stable economy, we will have a lot of disturbances which are never good for business,” said Ratshefola.
“So for all of us, we should not do it just for social reasons, we must do it for the success of businesses and imperative,” said Ratshefola.
Zimbabwe Central Bank Borrows $985 Million From African Banks
Zimbabwe’s Reserve Bank has borrowed $985 million from African banks to purchase fuel and other critical imports with current reserves covering imports for just four weeks, underscoring the severity of dollar shortages, governor John Mangudya said.
The southern African nation last month ditched a discredited 1:1 dollar peg for its surrogate bond notes and electronic dollars, merging them into a lower-value transitional currency called the RTGS dollar.
Mangudya said the central bank borrowed $641 million from the African Export and Import Bank, $152 million from Eastern and Southern African Trade and Development Bank, and $25 million from Mozambique’s central bank, among others.
The loans, which would be repaid from future gold earnings, have a tenure of between three and five years and attract an interest of up to 6 percent above the Libor rate, Mangudya said.
Gold is Zimbabwe’s single biggest mineral export earner, accounting for a third of its $4.2 billion earnings last year after a record output, central bank data shows.
“These loans are well structured facilities contracted last year. They will be paid from future (gold) export receivables,” Mangudya told a parliamentary committee.
The central bank takes 45 percent of dollar sales from gold producers and half from other miners to fund imports like fuel and power and repay foreign loans.
But the miners only have 30 days to keep their dollar balances in local foreign currency accounts, after which they must sell them. The companies have asked the central bank to extend the period they may keep their dollars to 90 days, according to mining executives.
Unable to get funding from foreign lenders like the International Monetary Fund and World Bank due to arrears of more than $2.4 billion, Zimbabwe has looked to financiers from the continent and local banks to shore up its budget.
The central bank chief said Zimbabwe had just $500 million in reserves, enough to purchase four weeks’ worth of imports.
Mangudya said government borrowing from the central bank reached $2.99 billion in December, about three times its permissible overdraft limit.
President Emmerson Mnangagwa’s government has promised to curb borrowing in 2019 under reforms to revive the southern African economy, after the budget deficit soared last year following a spike in spending ahead of elections.
Finance Minister Mthuli Ncube said last week that the local RTGS dollar, Zimbabwe’s new de facto currency, will be backed up with fiscal discipline and the government would allow it to fluctuate but would manage excessive volatility.
On the interbank forex market on Monday, one U.S. dollar fetched 2.5 RTGS dollars, the same rate as on Feb. 22 when the central bank sold some dollars to banks. That compares to a rate of 3.5 RTGS dollars per U.S. dollar on the black market. -Reuters
Volvo To Limit Car Speeds In Bid For Zero Deaths
Volvo Cars said on Monday it will introduce a 180 km per hour (112 mph) speed limiter on all new vehicles as the Swedish automaker seeks to burnish its safety credentials and meet a pledge to eliminate passenger fatalities by 2020.
While Volvo, whose XC90 flagship SUV currently has a top speed of 212 km/h, has made progress on its so-called “Vision 2020” target of zero deaths or serious injuries, Chief Executive Hakan Samuelsson said it is unlikely to meet the goal without additional measures to address driver behavior.
“We’ve realized that to close the gap we have to focus more on the human factors,” Samuelsson said. Volvo did not elaborate on the data but said its passenger fatalities were already well below the industry average before the goal was announced in 2007.
In addition to the speed cap, Volvo plans to deploy technology using cameras that monitor the driver’s state and attentiveness to prevent people driving while distracted or intoxicated, two other big factors in accidents, Samuelsson said.
The company is also looking at lower geo-fenced speed limits to slow cars around sensitive pedestrian areas such as schools, while seeking to “start a conversation” among automakers and regulators about how technology can be used to improve safety.
Volvo, which is owned by China’s Geely, announced the new speed limitation policy on the eve of the Geneva auto show, where its new Polestar performance electric-car brand is showcasing its second model, the Polestar 2.
While Volvo buyers often choose the brand for its safety, Samuelsson conceded that the speed cap could be a turn-off for a few in markets such as Germany, where drivers routinely travel at 200 km/h or more on unrestricted autobahns.
“We cannot please everybody, but we think we will attract new customers,” the CEO said, recalling that the roll-out of three-point seat belts pioneered by Volvo in 1959 had initially been criticized by some as intrusive.
“I think Volvo customers in Germany will appreciate that we’re doing something about safety,” he said. -Reuters
– Laurence Frost; additional reporting by Esha Vaish
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