Farewell The Father Of African Writing

Published 10 years ago
Farewell The Father Of African Writing

Master storyteller; revolutionary author; passionate poet. Chinua Achebe was awarded more than 30 honorary degrees and won numerous international prizes, including the 2007 Man Booker International Prize for his achievements in literature. His first novel, Things Fall Apart, was published in 1958, two years before Nigeria gained independence from Britain. The groundbreaking story of village leader Okonkwo and his subsequent downfall was acclaimed for looking at the destructive impact that Western colonial values had on Igbo society. It has sold more than 8 million copies, been translated into more than 40 languages, adapted for the stage and screen and has become required reading for students around the world.

Things Fall Apart was unique. Achebe used it to change the role of African fiction into a tool for social and political analysis and psychological insight. Three days after its publication The Times Literary Supplement wrote that it: “genuinely succeeds in presenting tribal life from the inside”. Through Achebe’s storytelling, and due to him writing in English, which was rare in African literature at that time, the world was introduced to African life as seen through African eyes.

Achebe’s journey towards becoming the father of modern African writing began at a young age. Although his family converted to Christianity, traditional Igbo religion always fascinated Achebe. His interest in Igbo rituals and customs would become a key part of his fictional works, which are filled with depictions of Igbo life and proverbs. At school, Achebe was an avid reader. His love for English literature led him to William Shakespeare and Charles Dickens. But the books he read, including Joseph Conrad’s Heart of Darkness, often portrayed Africans as uncivilized and in a dehumanizing light, according to Achebe. At first, he agreed with the depictions; however, by 1948, he realized that he had taken on negative Western representations of his own people. He revealed, during a lecture in 1975, that he believed Conrad was a “thorough going racist”.

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While studying English, history and theology at the University of Ibadan, where he graduated in 1953, Achebe was compelled to write.

After reading Mister Johnson, the story of a young Nigerian who falls foul of the British colonial regime, by Irish novelist Joyce Cary, Achebe was angered by what he called: “the most superficial picture of not only the country, but even of the Nigerian character”. His desire to become a rebel against Western representations of Africa was sparked. He used his prowess for incisive commentary to tear down European notions of Africa and examine the tensions between African traditions, colonial modernity and Christianity. This, he powerfully demonstrated in four other novels—No Longer at Ease (1960), Arrow of God (1964), A Man of the People (1966) and Anthills of the Savannah (1987)—as well as several poetry anthologies and children’s books, short stories and essays. Achebe can draw the reader in without being overly academic, by using tales about complex individuals as a microcosm for the wider world.

He has used this gift to reflect Africa’s struggles with colonialism to its victorious battles for independence. His criticism has moved from the European colonizers to African leaders and, more recently, to contemporary Western perceptions of Africa.

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